Love Theme from The Godfather in B

Nino Rota / Larry Kusik / Gianni Boncompagni(1972)swing
Do Re MiC D E
A
B
Em/B
Bm/D
Bm/F♯
F♯7sus4
A7/C♯
C/E
Em/G
Em/B
Bm/D
Bm/F♯
F♯7sus4

Chord Diagrams — Love Theme from The Godfather in B (Guitar)

Display
FingerNoteDegree
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Em/B
7frEADGBE111342
EADGBE232frEADGBE113429frEADGBE4312xx
Bm/D
10frEADGBExx3241
EADGBE1113427frEADGBE1111349frEADGBExx1342
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
Em6
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
Bm/F♯
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
F♯7sus4
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
A7/C♯
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
C/E
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
Em/G
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234

Love Theme from The Godfather in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to E (ascending perfect fourth), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to A (ascending minor third), A to A (ascending unison), A to D (ascending perfect fourth), D to C (descending whole step), C to E (ascending major third), E to F# (ascending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 22 bars · Form: AB

Chords: Bm, Em/B, Bm/D, Em, Em6, Bm/F♯, F♯7sus4, F♯7, A7/C♯, A9, D, C/E, Em/G, F♯.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B