Do Re MiC D E

Love Theme from The Godfather

Nino Rota / Larry Kusik / Gianni Boncompagni(1972)4/4swing
D♯m/C
A♯m/E♭
F7sus4
A♯m/G
G♯7/D
D♯m/A♭
B/F
D♯m/C
A♯m/E♭
F7sus4
A♯m/G

Chord Diagrams — Love Theme from The Godfather in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯m/C
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
A♯m/E♭
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
D♯m
EADGBExx1342
EADGBExx3241
6frEADGBE111342
11frEADGBE111134
D♯m6
EADGBE111x32
4frEADGBE11x324
7frEADGBExx2314
11frEADGBE111234
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
F7sus4
EADGBE111134
6frEADGBE111234
8frEADGBE111134
10frEADGBE11xx34
A♯m/G
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
G♯9
EADGBE11234x
4frEADGBE111324
5frEADGBExx2143
10frEADGBE221334
G♯7/D
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯m/A♭
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
B/F
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
F
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234

Explore More

Love Theme from The Godfather in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to F (ascending whole step), F to F (ascending unison), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to B (descending major third), B to F (ascending tritone). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to D# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 22 bars · Form: AB

Chords: D♯m/C, A♯m, A♯m/E♭, D♯m, D♯m6, F7, F7sus4, A♯m/G, G♯9, G♯7/D, C♯, D♯m/A♭, B/F, F.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#