Love Theme from The Godfather in A#

Nino Rota / Larry Kusik / Gianni Boncompagni(1972)swing
Do Re MiC D E
A
B
D♯m/A♯
A♯m/C♯
A♯m/F
F7sus4
G♯7/C
B/D♯
D♯m/F♯
D♯m/A♯
A♯m/C♯
A♯m/F
F7sus4

Chord Diagrams — Love Theme from The Godfather in A# (Guitar)

Display
FingerNoteDegree
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
D♯m/A♯
6frEADGBE111342
EADGBExx1342EADGBExx324111frEADGBE111134
A♯m/C♯
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
D♯m6
EADGBE111x32
4frEADGBE11x3247frEADGBExx231411frEADGBE111234
A♯m/F
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
F7sus4
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
G♯7/C
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
B/D♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
D♯m/F♯
EADGBExx3241
EADGBExx13426frEADGBE11134211frEADGBE111134
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234

Love Theme from The Godfather in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to F (ascending unison), F to G# (ascending minor third), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to D# (ascending major third), D# to F (ascending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 22 bars · Form: AB

Chords: A♯m, D♯m/A♯, A♯m/C♯, D♯m, D♯m6, A♯m/F, F7sus4, F7, G♯7/C, G♯9, C♯, B/D♯, D♯m/F♯, F.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#