Love Theme from The Godfather in D#

Nino Rota / Larry Kusik / Gianni Boncompagni(1972)swing
Do Re MiC D E
A
B
G♯m/D♯
D♯m/F♯
D♯m/A♯
A♯7sus4
C♯7/F
E/G♯
G♯m/B
G♯m/D♯
D♯m/F♯
D♯m/A♯
A♯7sus4

Chord Diagrams — Love Theme from The Godfather in D# (Guitar)

Display
FingerNoteDegree
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
G♯m/D♯
11frEADGBE111342
4frEADGBE1111346frEADGBExx13427frEADGBExx3241
D♯m/F♯
EADGBExx3241
EADGBExx13426frEADGBE11134211frEADGBE111134
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
G♯m6
EADGBE2x134x
4frEADGBE1112346frEADGBE111x329frEADGBE11x324
D♯m/A♯
6frEADGBE111342
EADGBExx1342EADGBExx324111frEADGBE111134
A♯7sus4
EADGBE111x34
EADGBE1122xx6frEADGBE1111348frEADGBExx1324
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
C♯7/F
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
E/G♯
4frEADGBE111432
EADGBE2312frEADGBExx12437frEADGBE111234
G♯m/B
7frEADGBExx3241
4frEADGBE1111346frEADGBExx134211frEADGBE111342
A♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243

Love Theme from The Godfather in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to C# (ascending minor third), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to E (descending whole step), E to G# (ascending major third), G# to A# (ascending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to D# by perfect fourth.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 22 bars · Form: AB

Chords: D♯m, G♯m/D♯, D♯m/F♯, G♯m, G♯m6, D♯m/A♯, A♯7sus4, A♯7, C♯7/F, C♯9, F♯, E/G♯, G♯m/B, A♯.

Scales for Improvisation D# bebop minor, D# bebop.

Diatonic chords: See all chords in the key of D#