It Might As Well Be Spring in Do#

Richard Rodgers()swingModerately
A
A
B
A

Chord Diagrams — It Might As Well Be Spring in Do# (Guitar)

Do♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
Fa♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
Fam7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
La♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Re♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
Sol♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Do♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
Sol♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
Do♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Fa♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
Solm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Do7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Do♯69/b
Si - Do♯ - Fa - Sol♯ - La♯ - Re♯
La♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
Sol♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
Sol♯7/c
Do - Sol♯ - Do - Re♯ - Fa♯
Fa7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
Re♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
Fa♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Si7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
La♯m7/d
Re - La♯ - Do♯ - Fa - Sol♯
Re♯7/cis
Si9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
Fa♯6
EADGBE2x143x
EADGBE11x3244frEADGBE111x349frEADGBE3333x1
Re♯m7/g
Sol - Re♯ - Fa♯ - La♯ - Do♯
Do7♭5
EADGBExx2413
3frEADGBE11x23x7frEADGBE2x34110frEADGBExx1234
Re♯m7/d
Re - Re♯ - Fa♯ - La♯ - Do♯

It Might As Well Be Spring in Do#

It Might As Well Be Spring in Do#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to F# (ascending perfect fourth), F# to F (descending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to C (ascending perfect fourth), C to C# (ascending half step), C# to A# (descending minor third), A# to G# (descending whole step), G# to G# (ascending unison), G# to F (descending minor third), F to D# (descending whole step), D# to F# (ascending minor third), F# to B (ascending perfect fourth), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to B (descending major third), B to F# (descending perfect fourth), F# to D# (descending minor third), D# to C (descending minor third), C to D# (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to C# by whole step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 56 bars · Form: AABA

Chords: Do♯6, Fa♯9, Fam7, La♯7, Re♯m7, Sol♯7, Do♯, Sol♯m7, Do♯7, Fa♯, Solm7, Do7, Do♯69/b, La♯m7, Sol♯9, Sol♯7/c, Fa7, Re♯7, Fa♯m7, Si7, La♯m7/d, Re♯7/cis, Si9, Fa♯6, Re♯m7/g, Do7♭5, Re♯m7/d.

Scales for Improvisation Do# bebop, Do# bebop major.