It Might As Well Be Spring in Mi

Richard Rodgers()swingModerately
A
A
B
A

Chord Diagrams — It Might As Well Be Spring in Mi (Guitar)

It Might As Well Be Spring in Mi

It Might As Well Be Spring in Mi

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to A (ascending perfect fourth), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to C# (descending minor third), C# to B (descending whole step), B to B (ascending unison), B to G# (descending minor third), G# to F# (descending whole step), F# to A (ascending minor third), A to D (ascending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to D (descending major third), D to A (descending perfect fourth), A to F# (descending minor third), F# to D# (descending minor third), D# to F# (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 56 bars · Form: AABA

Chords: Mi6, La9, Sol♯m7, Do♯7, Fa♯m7, Si7, Mi, Sim7, Mi7, La, La♯m7, Re♯7, Mi69/b, Do♯m7, Si9, Si7/c, Sol♯7, Fa♯7, Lam7, Re7, Do♯m7/d, Fa♯7/cis, Re9, La6, Fa♯m7/g, Re♯7♭5, Fa♯m7/d.

Scales for Improvisation Mi bebop, Mi bebop major.