It Might As Well Be Spring in Re

Richard Rodgers()swingModerately
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Chord Diagrams — It Might As Well Be Spring in Re (Guitar)

It Might As Well Be Spring in Re

It Might As Well Be Spring in Re

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to G (ascending perfect fourth), G to F# (descending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to B (descending minor third), B to A (descending whole step), A to A (ascending unison), A to F# (descending minor third), F# to E (descending whole step), E to G (ascending minor third), G to C (ascending perfect fourth), C to B (descending half step), B to E (ascending perfect fourth), E to C (descending major third), C to G (descending perfect fourth), G to E (descending minor third), E to C# (descending minor third), C# to E (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to D by whole step.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 56 bars · Form: AABA

Chords: Re6, Sol9, Fa♯m7, Si7, Mim7, La7, Re, Lam7, Re7, Sol, Sol♯m7, Do♯7, Re69/b, Sim7, La9, La7/c, Fa♯7, Mi7, Solm7, Do7, Sim7/d, Mi7/cis, Do9, Sol6, Mim7/g, Do♯7♭5, Mim7/d.

Scales for Improvisation Re bebop, Re bebop major.