Who composed Isn't It Romantic?

Isn't It Romantic was composed by Richard Rodgers. It is a swing standard in 4/4 time. The original key is Eb; this page shows it transposed to A#.

What key is Isn't It Romantic in?

The original key of Isn't It Romantic is Eb. The form is ABAC with 34 bars. This page shows the chart transposed to A#.

What scales work for improvising over Isn't It Romantic?

Recommended scales for Isn't It Romantic in A#: bebop, bebop major. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

Isn't It Romantic in A#

Richard Rodgers()swingEasy Swing

Do Re MiC D E

BPM: 120

Chord Diagrams — Isn't It Romantic in A# (Guitar)

Display

FingerNoteDegree

Chord Voicings Closest Voicing

A♯6/g

D7/b

G7/g

Am7♭5

F7alt

Cm/A♯

Gm/F

Gm/a

Isn't It Romantic in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to B (ascending half step), B to A# (descending half step), A# to G (descending minor third), G to F (descending whole step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A (descending minor third), A to C (ascending minor third), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to G (descending perfect fourth), G to G (ascending unison), G to D# (descending major third), D# to D (descending half step), D to C# (descending half step), C# to A# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 34 bars · Form: ABAC

Chords: A♯6, Gm7, Cm7, F7, A♯Maj7, Bdim7, A♯6/g, G7, Fm7, A♯7, D♯Maj7, D7, Gm, D7/b, G7/g, Cm, Am7♭5, C9, F7alt, Cm/A♯, Gm/F, Gm/a, D♯6, Dm7, C♯7, A♯.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#