Isn't It Romantic in La

Richard Rodgers()swingEasy Swing
A
B
A
C

Chord Diagrams — Isn't It Romantic in La (Guitar)

Isn't It Romantic in La

Isn't It Romantic in La

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A# (ascending half step), A# to A (descending half step), A to F# (descending minor third), F# to E (descending whole step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to B (ascending minor third), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to D (descending major third), D to C# (descending half step), C# to C (descending half step), C to A (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: ABAC

Chords: La6, Fa♯m7, Sim7, Mi7, LaMaj7, La♯dim7, La6/g, Fa♯7, Mim7, La7, ReMaj7, Do♯7, Fa♯m, Do♯7/b, Fa♯7/g, Sim, Sol♯m7♭5, Si9, Mi7alt, Sim/ees, Fa♯m/bes, Fa♯m/a, Re6, Do♯m7, Do7, La.

Scales for Improvisation La bebop, La bebop major.