Isn't It Romantic in Re

Richard Rodgers()swingEasy Swing
A
B
A
C

Chord Diagrams — Isn't It Romantic in Re (Guitar)

Isn't It Romantic in Re

Isn't It Romantic in Re

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D# (ascending half step), D# to D (descending half step), D to B (descending minor third), B to A (descending whole step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to F# (descending half step), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to C# (descending minor third), C# to E (ascending minor third), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to B (descending perfect fourth), B to B (ascending unison), B to G (descending major third), G to F# (descending half step), F# to F (descending half step), F to D (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to D by unison.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: ABAC

Chords: Re6, Sim7, Mim7, La7, ReMaj7, Re♯dim7, Re6/g, Si7, Lam7, Re7, SolMaj7, Fa♯7, Sim, Fa♯7/b, Si7/g, Mim, Do♯m7♭5, Mi9, La7alt, Mim/ees, Sim/bes, Sim/a, Sol6, Fa♯m7, Fa7, Re.

Scales for Improvisation Re bebop, Re bebop major.