I Thought About You in C#

Jimmy Van Heusen / Johnny Mercer(1939)swing
Do Re MiC D E
A
B9♯11
D♯m7/C♯
Cm7♭5add9add11
G♯13
B9♯11
D♯m7/C♯
Cm7♭5add9add11
A♯m/G♯
Gm7♭5add9add11
E13

Chord Diagrams — I Thought About You in C# (Guitar)

Display
FingerNoteDegree
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
D♯m7/C♯
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
Cm7♭5add9add11
F7♭9
EADGBE111423
EADGBE11xx237frEADGBE11x23411frEADGBE3241xx
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
F♯6
EADGBE2x143x
EADGBE11x3244frEADGBE111x349frEADGBE3333x1
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
C7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
A♯m/G♯
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
Gm7♭5add9add11
F♯7♯11
EADGBE111234
4frEADGBExx12348frEADGBE11x2349frEADGBE111x23

I Thought About You in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C (descending half step), C to B (descending half step), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to D# (descending half step), D# to D# (ascending unison), D# to C (descending minor third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to G (descending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to E (descending half step), E to G# (ascending major third), G# to A# (ascending whole step), A# to G (descending minor third), G to F# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to C# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 32 bars · Form: A

Chords: C♯Maj7, C7, B9♯11, A♯7♭9, D♯9, E13, D♯m7, D♯m7/C♯, Cm7♭5add9add11, F7♭9, A♯m7, G♯m7, C♯7, F♯Maj7, F♯6, F♯m7, B7, G♯7, Gm7♭5, C7♭9, Fm7, E7, G♯13, A♯m/G♯, Gm7♭5add9add11, F♯7♯11.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#