How to practice I Thought About You with play-along tracks?

Use the play-along backing track above to practice I Thought About You in the key of G#. Listen to the audio with bass, piano, and drums, start by playing the melody, then practice improvisation and soloing over the chord changes.

What scales to use for soloing over I Thought About You?

For soloing over I Thought About You, recommended scales include: bebop, bebop major. Use arpeggio patterns over each chord to create melodic lines that follow the harmony of this jazz tune.

Who composed I Thought About You?

I Thought About You was composed by Jimmy Van Heusen / Johnny Mercer in 1939. It is a swing standard in 2/2 time. The original key is Eb; this page shows it transposed to G#.

What key is I Thought About You in?

The original key of I Thought About You is Eb. The form is A with 32 bars. This page shows the chart transposed to G#.

What scales work for improvising over I Thought About You?

Recommended scales for I Thought About You in G#: bebop, bebop major. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

I Thought About You in G#

Jimmy Van Heusen / Johnny Mercer(1939)swing

Do Re MiC D E

BPM: 120

Chord Diagrams — I Thought About You in G# (Guitar)

Display

FingerNoteDegree

Chord Voicings Closest Voicing

F♯9♯11

B13

A♯m7/G♯

Gm7♭5add9add11

D♯13

Fm/D♯

Dm7♭5add9add11

C♯7♯11

I Thought About You in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to A# (ascending perfect fourth), A# to B (ascending half step), B to A# (descending half step), A# to A# (ascending unison), A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to D# (descending minor third), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to B (descending half step), B to D# (ascending major third), D# to F (ascending whole step), F to D (descending minor third), D to C# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 32 bars · Form: A

Chords: G♯Maj7, G7, F♯9♯11, F7♭9, A♯9, B13, A♯m7, A♯m7/G♯, Gm7♭5add9add11, C7♭9, Fm7, D♯m7, G♯7, C♯Maj7, C♯6, C♯m7, F♯7, D♯7, Dm7♭5, G7♭9, Cm7, B7, D♯13, Fm/D♯, Dm7♭5add9add11, C♯7♯11.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#