I Thought About You in B

Jimmy Van Heusen / Johnny Mercer(1939)ballad
Do Re MiC D E
A
A9♯11
C♯m7/B
A♯m7♭5add9add11
F♯13
A9♯11
C♯m7/B
A♯m7♭5add9add11
G♯m/F♯
Fm7♭5add9add11

Chord Diagrams — I Thought About You in B (Guitar)

Display
FingerNoteDegree
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
G♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234
A9♯11
EADGBEx13
4frEADGBE1112347frEADGBExx123411frEADGBE11x234
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
C♯m7/B
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
A♯m7♭5add9add11
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
E6
EADGBE2314
EADGBE111345frEADGBEx4231x7frEADGBE3333x1
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
Fm7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
G♯m/F♯
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
E7♯11
EADGBE12
3frEADGBE31426frEADGBE11x23411frEADGBE111234
Fm7♭5add9add11

I Thought About You in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through A# to B (ascending half step), B to G# (descending minor third), G# to A (ascending half step), A to D (ascending perfect fourth), D to C# (descending half step), C# to C# (ascending unison), C# to C# (ascending unison), C# to D# (ascending whole step), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to B (ascending minor third), B to F# (descending perfect fourth), F# to E (descending whole step), E to E (ascending unison), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to F# (ascending whole step), F# to A# (ascending major third), A# to F (descending perfect fourth), F to D (descending minor third), D to D# (ascending half step), D# to F# (ascending minor third), F# to G# (ascending whole step), G# to E (descending major third), E to F (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: A♯7, BMaj7, G♯7♭9, A9♯11, D13, C♯9, C♯m7/B, C♯m7, D♯7♭9, A♯m7♭5add9add11, G♯m7, B7, F♯m7, E6, EMaj7, A7, Em7, F♯7, A♯7♭9, Fm7♭5, D7, D♯m7, F♯13, G♯m/F♯, E7♯11, Fm7♭5add9add11.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B