I Concentrate On You in Fa#

Cole Porter()balladSlowly
A
A
'
B
A
'
'

Chord Diagrams — I Concentrate On You in Fa# (Guitar)

Fa♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
Fa♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
Dom7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
Fa7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
Do♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
Fa♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
SiMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
Fam7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
La♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
La♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
Re♯7♯5
Re♯ - Sol - Si - Do♯
Sol♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
Ladim7
EADGBEx1324
4frEADGBE112x3x5frEADGBE1112347frEADGBE11x34
Sol♯75-/ces
Do♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Sol♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
Fa♯6
EADGBE2x143x
EADGBE11x3244frEADGBE111x349frEADGBE3333x1
Si6
EADGBEx312x
EADGBE3333x17frEADGBE1x324x9frEADGBE11xx34
Do♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
Sol9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
Fa♯69
EADGBE111234
EADGBExx21346frEADGBE1111x28frEADGBE11x234
Sim7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
La♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
Re♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
Mi7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
LaMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
Fa♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Fa♯m/des
Re♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
Sol♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Do♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
Do♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x

I Concentrate On You in Fa#

I Concentrate On You in Fa#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to C (ascending tritone), C to F (ascending perfect fourth), F to C# (descending major third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to F (ascending tritone), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to A (ascending half step), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to C# (ascending whole step), C# to G (ascending tritone), G to F# (descending half step), F# to B (ascending perfect fourth), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to A (ascending perfect fourth), A to F# (descending minor third), F# to F# (ascending unison), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 94 bars · Form: AA'BA''

Chords: Fa♯, Fa♯Maj7, Dom7♭5, Fa7, Do♯m7, Fa♯7, SiMaj7, Fam7♭5, La♯7, La♯m7♭5, Re♯7♯5, Sol♯m, Ladim7, Sol♯75-/ces, Do♯7, Sol♯m7, Fa♯6, Si6, Do♯7♭9, Sol9, Fa♯69, Sim7, La♯m7, Re♯7, Mi7, LaMaj7, Fa♯m7, Fa♯m/des, Re♯m7♭5, Sol♯7, Do♯, Do♯Maj7.

Scales for Improvisation Fa# bebop, Fa# bebop major.