Do Re MiC D E

I Concentrate On You

Cole Porter2/2balladSlowly

Chord Diagrams — I Concentrate On You in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C6
3frEADGBE3333x1
EADGBEx4231
7frEADGBE2x143x
8frEADGBE11x324
CMaj7
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯9
EADGBExx132
5frEADGBEx21334
10frEADGBE3142xx
11frEADGBE111324
B6
EADGBEx312x
EADGBE3333x1
7frEADGBE1x324x
9frEADGBE11xx34
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
Fm7/G♭
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
Dm7♭5
EADGBE111xx
3frEADGBE11x342
5frEADGBEx1324x
8frEADGBEx1432
Cm6
EADGBE11x324
3frEADGBEx13x24
7frEADGBE2x1334
8frEADGBE111234
Am7♭5
EADGBEx23x
4frEADGBE2x341x
5frEADGBE111234
7frEADGBE222xx1
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯Maj7
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
G♯Maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
F6
3frEADGBE111x34
EADGBE11x324
6frEADGBEx4231x
8frEADGBE113333
C
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
FMaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
Cm/D♭
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
GMaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
F♯m7♭5
EADGBE2341
4frEADGBE222xx1
9frEADGBEx1324x
10frEADGBE11xx24
B7
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
7frEADGBE111132
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
Em7♭5
EADGBE33312
7frEADGBEx1324x
8frEADGBE11xx24
11frEADGBE2x341x
A7♯5
EADGBE11x23
EADGBEx321
5frEADGBE11x23
7frEADGBExx1423
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
D♯dim7
EADGBExx1324
5frEADGBE11x234
7frEADGBExx1324
10frEADGBE112x3x
D7♭5/B
EADGBE11xx2
3frEADGBExx2413
5frEADGBE11x23x
9frEADGBE2x341x
G7♭9
EADGBE11324
EADGBE111x23
4frEADGBE11xx23
9frEADGBE11x234
C♯9
EADGBE221334
8frEADGBE3142xx
9frEADGBE111324
10frEADGBExx2143
C69
3frEADGBEx134
EADGBE11x334
7frEADGBE111234
9frEADGBEx22134

Explore More

I Concentrate On You in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C (ascending unison), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to Cb (descending minor third), Cb to F (ascending perfect fourth), F to F (ascending unison), F to D (descending minor third), D to C (descending whole step), C to A (descending minor third), A to D (ascending perfect fourth), D to D (ascending unison), D to A# (descending major third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to C (descending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to E (descending half step), E to A (ascending perfect fourth), A to C (ascending minor third), C to G (descending perfect fourth), G to G (ascending unison), G to F# (descending half step), F# to B (ascending perfect fourth), B to G (descending major third), G to B (ascending major third), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D# (ascending half step), D# to D (descending half step), D to G (ascending perfect fourth), G to C# (ascending tritone), C# to C (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to C by unison.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 74 bars · Form: AA'BA''

Chords: C6, CMaj7, G7, Cm7, A♯m7, D♯9, C♭6, Fm7, Fm7/G♭, Dm7♭5, Cm6, Am7♭5, D7, Dm7, A♯7, D♯Maj7, G♯Maj7, F6, C, C7, FMaj7, Em7, A7, Cm/D♭, G, GMaj7, F♯m7♭5, B7, Gm7, Bm7♭5, E7, Em7♭5, A7♯5, Dm, D♯dim7, D7♭5/B, G7♭9, C♯9, C69.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C