I Concentrate On You in Re#

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Chord Diagrams — I Concentrate On You in Re# (Guitar)

Re♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
Re♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
Lam7♭5
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
Re7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
La♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
Re♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
Sol♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
Rem7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
Sol7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Solm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
Do7♯5
Do - Mi - Sol♯ - Si♭
Fam
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
Fa♯dim7
EADGBE112x3x
EADGBE1112344frEADGBExx13248frEADGBE111234
Fa75-/ces
La♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Fam7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
Re♯6
EADGBE11xx34
4frEADGBEx4231x6frEADGBE3333x110frEADGBE2x143x
Sol♯6
EADGBE1111x3
3frEADGBE2x143x6frEADGBE111x349frEADGBEx4231x
La♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
Mi9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
Re♯69
EADGBExx234
EADGBE1111x25frEADGBE11x23410frEADGBE111234
Sol♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
Solm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Do7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Do♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Fa♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
Re♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
Re♯m/des
Dom7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
Fa7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
La♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
La♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x

I Concentrate On You in Re#

I Concentrate On You in Re#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to D# (ascending unison), D# to A (ascending tritone), A to D (ascending perfect fourth), D to A# (descending major third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F# (ascending half step), F# to F (descending half step), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to A# (ascending whole step), A# to E (ascending tritone), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to G (descending half step), G to C (ascending perfect fourth), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to D# (descending minor third), D# to D# (ascending unison), D# to C (descending minor third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to D# by perfect fourth.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 94 bars · Form: AA'BA''

Chords: Re♯, Re♯Maj7, Lam7♭5, Re7, La♯m7, Re♯7, Sol♯Maj7, Rem7♭5, Sol7, Solm7♭5, Do7♯5, Fam, Fa♯dim7, Fa75-/ces, La♯7, Fam7, Re♯6, Sol♯6, La♯7♭9, Mi9, Re♯69, Sol♯m7, Solm7, Do7, Do♯7, Fa♯Maj7, Re♯m7, Re♯m/des, Dom7♭5, Fa7, La♯, La♯Maj7.

Scales for Improvisation Re# bebop, Re# bebop major.