How Deep Is The Ocean in G
How Deep Is The Ocean in G
Irving Berlin's ballad moves through a striking series of fourth-based harmonic motion that opens up Dorian color on the minor passages, Bebop Major lyricism on the major sections, and Harmonic Minor tension on the minor dominant resolutions. The fourth-cycle harmonic logic gives the tune an unusually strong sense of forward momentum for a ballad. Voice leading across the fourth-based changes is the central harmonic challenge.
How Deep Is The Ocean in G
G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.
Voice Leading
The bass line moves through E to F# (ascending whole step), F# to B (ascending perfect fourth), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to E (ascending major third), E to A (ascending perfect fourth), A to B (ascending whole step), B to C (ascending half step), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to E by half step.
Scales for Improvisation
G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.