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Guilty

Gus Kahn, Harry Akst, Richard A. Whiting4/4balladSlowly

Chord Diagrams — Guilty in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
C♯m/A♭
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
D♯7♯5
EADGBExx1423
6frEADGBE11x432
9frEADGBE3241
11frEADGBE1x234x
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
G♯m/B♭
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
F7♯5
3frEADGBExx1423
EADGBE1234x
8frEADGBE11x432
12frEADGBE213x4x
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
F♯Maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
F♯7♯5
4frEADGBExx1423
EADGBE1x234x
7frEADGBEx4312
9frEADGBE11x432
BMaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Adim7
EADGBEx1324
4frEADGBE112x3x
5frEADGBE111234
7frEADGBE11x34
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
C♯7♯5
4frEADGBE11x432
EADGBEx4321
7frEADGBE431x2
9frEADGBE1x234x
C♯sus4
4frEADGBE111234
EADGBEx3412x
6frEADGBE2x1114
9frEADGBE111234
C♯7♭9
4frEADGBEx1234
EADGBE11x234
7frEADGBE3241x
9frEADGBExx1324
E6
5frEADGBEx4231x
EADGBE2314
EADGBE11134
7frEADGBE3333x1
F♯6
4frEADGBE111x34
EADGBE2x143x
EADGBE11x324
9frEADGBE3333x1
A♯m
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
A♯mMaj7
6frEADGBE111132
EADGBE11x423
8frEADGBE11x342
10frEADGBE11x42x
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Cm7♭5
4frEADGBE11xx24
EADGBEx1324x
8frEADGBE111234
10frEADGBE333xx1
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
C♯6/c
4frEADGBE3333x1
EADGBEx4231x
6frEADGBE111423
9frEADGBE11x324
D♯m7/c
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
C♯6
6frEADGBE111423
EADGBEx4231x
4frEADGBE3333x1
9frEADGBE11x324
Ddim7
7frEADGBEx2431
EADGBExx23
4frEADGBE11x234
10frEADGBE111234
D♯m7
7frEADGBExx2314
EADGBExx1423
6frEADGBE111132
11frEADGBE111114
G♯9
5frEADGBExx2143
EADGBE11234x
4frEADGBE111324
10frEADGBE221334

Explore More

Guilty in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to C# (descending perfect fourth), C# to D# (ascending whole step), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to F (descending minor third), F to F (ascending unison), F to F# (ascending half step), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to A (descending whole step), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison), C# to C# (ascending unison), C# to E (ascending minor third), E to F# (ascending whole step), F# to A# (ascending major third), A# to A# (ascending unison), A# to A# (ascending unison), A# to C (ascending whole step), C to C (ascending unison), C to C# (ascending half step), C# to D# (ascending whole step), D# to C# (descending whole step), C# to D (ascending half step), D to D# (ascending half step), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to F# by whole step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 34 bars · Form: AABA

Chords: F♯, C♯m/A♭, D♯7♯5, D♯7, G♯m, G♯m/B♭, F7♯5, F7, F♯Maj7, F♯7♯5, BMaj7, Bm, Adim7, G♯m7, C♯7, C♯7♯5, C♯sus4, C♯7♭9, E6, F♯6, A♯m, A♯mMaj7, A♯m7, Cm7♭5, Cm7, C♯6/c, D♯m7/c, C♯6, Ddim7, D♯m7, G♯9.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#