Do Re MiC D E

Guilty

Gus Kahn, Harry Akst, Richard A. Whiting4/4balladSlowly

Chord Diagrams — Guilty in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Em/A♭
7frEADGBE111342
EADGBE23
2frEADGBE11342
9frEADGBE4312xx
F♯7♯5
7frEADGBEx4312
EADGBE1x234x
4frEADGBExx1423
9frEADGBE11x432
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
Bm
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
Bm/B♭
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
G♯7♯5
6frEADGBExx1423
4frEADGBE1x234
9frEADGBEx3241
11frEADGBE11x432
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
AMaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
A7♯5
5frEADGBE11x23
EADGBEx321
EADGBE11x23
7frEADGBExx1423
DMaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
Cdim7
7frEADGBE112x3x
EADGBExx1324
EADGBE11x234
10frEADGBE11xx34
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
E7♯5
7frEADGBE11x432
EADGBE412
2frEADGBExx1423
12frEADGBE1x234x
Esus4
7frEADGBE111234
EADGBE234
2frEADGBE11234
9frEADGBE11xx2
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
G6
5frEADGBE111x34
EADGBE21
EADGBE2x143x
10frEADGBE3333x1
A6
5frEADGBE113x24
EADGBE1111x
4frEADGBE2x143x
10frEADGBEx4231x
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
C♯mMaj7
4frEADGBE111423
EADGBE11x42x
9frEADGBE111132
11frEADGBE11x342
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
E6/c
5frEADGBEx4231x
EADGBE2314
EADGBE11134
7frEADGBE3333x1
F♯m7/c
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
E6
5frEADGBEx4231x
EADGBE2314
EADGBE11134
7frEADGBE3333x1
Fdim7
7frEADGBE111234
EADGBE1x23
EADGBE11xx34
12frEADGBE3x142x
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
B9
8frEADGBExx2143
EADGBEx21334
4frEADGBE111432
7frEADGBE111324

Explore More

Guilty in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to F# (ascending whole step), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to G# (descending minor third), G# to G# (ascending unison), G# to A (ascending half step), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to C (descending whole step), C to B (descending half step), B to E (ascending perfect fourth), E to E (ascending unison), E to E (ascending unison), E to E (ascending unison), E to G (ascending minor third), G to A (ascending whole step), A to C# (ascending major third), C# to C# (ascending unison), C# to C# (ascending unison), C# to D# (ascending whole step), D# to D# (ascending unison), D# to E (ascending half step), E to F# (ascending whole step), F# to E (descending whole step), E to F (ascending half step), F to F# (ascending half step), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 34 bars · Form: AABA

Chords: A, Em/A♭, F♯7♯5, F♯7, Bm, Bm/B♭, G♯7♯5, G♯7, AMaj7, A7♯5, DMaj7, Dm, Cdim7, Bm7, E7, E7♯5, Esus4, E7♭9, G6, A6, C♯m, C♯mMaj7, C♯m7, D♯m7♭5, D♯m7, E6/c, F♯m7/c, E6, Fdim7, F♯m7, B9.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A