Do Re MiC D E

Guilty

Gus Kahn, Harry Akst, Richard A. Whiting4/4balladSlowly

Chord Diagrams — Guilty in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
Bm/A♭
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
C♯7♯5
EADGBEx4321
4frEADGBE11x432
7frEADGBE431x2
9frEADGBE1x234x
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
F♯m
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342
F♯m/B♭
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342
D♯7♯5
EADGBExx1423
6frEADGBE11x432
9frEADGBE3241
11frEADGBE1x234x
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
EMaj7
EADGBE312
EADGBE333xx1
4frEADGBE111x43
7frEADGBE111324
E7♯5
EADGBE412
2frEADGBExx1423
7frEADGBE11x432
12frEADGBE1x234x
AMaj7
EADGBEx213
EADGBE111x4
5frEADGBE111423
7frEADGBE333x1
Am
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
Gdim7
EADGBE31x42
EADGBE3x142
3frEADGBE111234
5frEADGBExx1324
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
B7♯5
2frEADGBEx213
EADGBEx2134
7frEADGBE1x234x
9frEADGBExx1423
Bsus4
2frEADGBE111234
4frEADGBE11xx24
7frEADGBE111234
9frEADGBE1144x3
B7♭9
EADGBE11x234
5frEADGBE3241xx
7frEADGBE111x23
8frEADGBE11xx23
D6
EADGBExx23
3frEADGBEx4231x
5frEADGBE3333x1
7frEADGBE111134
E6
EADGBE2314
EADGBE11134
5frEADGBEx4231x
7frEADGBE3333x1
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
G♯mMaj7
4frEADGBE111132
EADGBE11x243
6frEADGBE11x342
11frEADGBE11x423
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
A♯m7♭5
5frEADGBE2x341x
EADGBEx1324x
EADGBE11xx24
8frEADGBE222xx1
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
B6/c
7frEADGBE1x324x
EADGBEx312x
EADGBE3333x1
9frEADGBE11xx34
C♯m7/c
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
B6
9frEADGBE11xx34
EADGBEx312x
EADGBE3333x1
7frEADGBE1x324x
Cdim7
10frEADGBE11xx34
EADGBExx1324
EADGBE11x234
7frEADGBE112x3x
C♯m7
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
F♯9
8frEADGBE221334
EADGBE111324
3frEADGBExx2143
11frEADGBE1111x2

Explore More

Guilty in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to B (descending perfect fourth), B to C# (ascending whole step), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to D# (descending minor third), D# to D# (ascending unison), D# to E (ascending half step), E to E (ascending unison), E to A (ascending perfect fourth), A to A (ascending unison), A to G (descending whole step), G to F# (descending half step), F# to B (ascending perfect fourth), B to B (ascending unison), B to B (ascending unison), B to B (ascending unison), B to D (ascending minor third), D to E (ascending whole step), E to G# (ascending major third), G# to G# (ascending unison), G# to G# (ascending unison), G# to A# (ascending whole step), A# to A# (ascending unison), A# to B (ascending half step), B to C# (ascending whole step), C# to B (descending whole step), B to C (ascending half step), C to C# (ascending half step), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 34 bars · Form: AABA

Chords: E, Bm/A♭, C♯7♯5, C♯7, F♯m, F♯m/B♭, D♯7♯5, D♯7, EMaj7, E7♯5, AMaj7, Am, Gdim7, F♯m7, B7, B7♯5, Bsus4, B7♭9, D6, E6, G♯m, G♯mMaj7, G♯m7, A♯m7♭5, A♯m7, B6/c, C♯m7/c, B6, Cdim7, C♯m7, F♯9.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E