Do Re MiC D E

Golden Earrings

Victor Young / Jay Livingston / Ray Evans(1947)2/2ballad
D♯7/D
G♯m/E♭
A♯7♭5/A♭
D♯7sus4
C♯m/A♭
D♯7sus4
G♯m/G
C♯m7/A♭
C♯7/A
D♯7sus4
D♯7/D
G♯m/E♭
A♯7♭5/A♭
D♯7sus4
C♯m/A♭
D♯7sus4
G♯m/G

Chord Diagrams — Golden Earrings in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯7/D
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯m
6frEADGBExx1342
4frEADGBE111134
7frEADGBExx3241
11frEADGBE111342
G♯m/E♭
6frEADGBExx1342
4frEADGBE111134
7frEADGBExx3241
11frEADGBE111342
A♯7♭5/A♭
5frEADGBE2x341
EADGBE11x23x
8frEADGBExx1234
11frEADGBEx3241
Fdim
6frEADGBEx41x23
EADGBExx12x3
8frEADGBEx1243x
11frEADGBE31x42x
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
D♯7sus4
6frEADGBE111134
EADGBExx1324
4frEADGBE11x234
11frEADGBE111134
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯m/A♭
6frEADGBE1132x4
EADGBEx4213x
4frEADGBE111342
9frEADGBE111134
G♯m/G
6frEADGBExx1342
4frEADGBE111134
7frEADGBExx3241
11frEADGBE111342
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
F♯9
3frEADGBExx2143
EADGBE111324
8frEADGBE221334
11frEADGBE1111x2
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
E9
EADGBE113x42
EADGBE213
6frEADGBE221334
9frEADGBE11112
C♯m7/A♭
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
C♯7/A
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132

Explore More

Golden Earrings in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to A# (ascending whole step), A# to F (descending perfect fourth), F to D# (descending whole step), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to E (descending major third), E to C# (descending minor third), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to B (ascending unison), B to E (ascending perfect fourth), E to C# (descending minor third), C# to C# (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to D# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 25 bars · Form: AB

Chords: D♯7/D, G♯m, G♯m/E♭, A♯7♭5/A♭, Fdim, D♯7, D♯7sus4, A♯7, G♯m7, C♯m/A♭, G♯m/G, E7, C♯m7, C♯m, F♯9, B, Bm7, Bm, E9, C♯m7/A♭, C♯7/A.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#