Golden Earrings in G#

Victor Young / Jay Livingston / Ray Evans(1947)ballad
Do Re MiC D E
A
B
D♯7/A♯
G♯m/B
A♯7♭5/E
D♯7sus4
C♯m/E
D♯7sus4
G♯m/D♯
C♯m7/E
C♯7/F
D♯7sus4
D♯7/A♯
G♯m/B
A♯7♭5/E
D♯7sus4
C♯m/E
D♯7sus4
G♯m/D♯

Chord Diagrams — Golden Earrings in G# (Guitar)

Display
FingerNoteDegree
D♯7/A♯
8frEADGBE111xx2
EADGBExx13246frEADGBE111x3411frEADGBE111132
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
G♯m/B
7frEADGBExx3241
4frEADGBE1111346frEADGBExx134211frEADGBE111342
A♯7♭5/E
EADGBE11x23x
5frEADGBE2x3418frEADGBExx123411frEADGBEx3241
Fdim
EADGBExx12x3
6frEADGBEx41x238frEADGBEx1243x11frEADGBE31x42x
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
D♯7sus4
EADGBExx1324
4frEADGBE11x2346frEADGBE11113411frEADGBE111134
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯m/E
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
G♯m/D♯
11frEADGBE111342
4frEADGBE1111346frEADGBExx13427frEADGBExx3241
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
C♯m7/E
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
C♯7/F
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132

Golden Earrings in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to A# (ascending whole step), A# to F (descending perfect fourth), F to D# (descending whole step), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to E (descending major third), E to C# (descending minor third), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to B (ascending unison), B to E (ascending perfect fourth), E to C# (descending minor third), C# to C# (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to D# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 25 bars · Form: AB

Chords: D♯7/A♯, G♯m, G♯m/B, A♯7♭5/E, Fdim, D♯7, D♯7sus4, A♯7, G♯m7, C♯m/E, G♯m/D♯, E7, C♯m7, C♯m, F♯9, B, Bm7, Bm, E9, C♯m7/E, C♯7/F.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#