Do Re MiC D E

Golden Earrings

Victor Young / Jay Livingston / Ray Evans(1947)2/2ballad
G♯7/D
C♯m/E♭
D♯7♭5/A♭
G♯7sus4
F♯m/A♭
G♯7sus4
C♯m/G
F♯m7/A♭
F♯7/A
G♯7sus4
G♯7/D
C♯m/E♭
D♯7♭5/A♭
G♯7sus4
F♯m/A♭
G♯7sus4
C♯m/G

Chord Diagrams — Golden Earrings in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯7/D
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
C♯m/E♭
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
D♯7♭5/A♭
4frEADGBExx2413
EADGBExx1234
6frEADGBE111x23
10frEADGBE2x341x
A♯dim
4frEADGBE31x42x
EADGBEx1243x
8frEADGBExx12x3
11frEADGBEx41x23
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
F♯m/A♭
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
C♯m/G
6frEADGBE1132x4
EADGBEx4213x
4frEADGBE111342
9frEADGBE111134
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
F♯m
9frEADGBE111342
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
B9
8frEADGBExx2143
EADGBEx21334
4frEADGBE111432
7frEADGBE111324
E
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
Em
7frEADGBE111342
EADGBE23
2frEADGBE11342
9frEADGBE4312xx
A9
5frEADGBE111324
2frEADGBE431
EADGBE11x32
11frEADGBEx21333
F♯m7/A♭
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
F♯7/A
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134

Explore More

Golden Earrings in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to D# (ascending whole step), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to A (descending major third), A to F# (descending minor third), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to E (ascending unison), E to A (ascending perfect fourth), A to F# (descending minor third), F# to F# (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to G# by whole step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 25 bars · Form: AB

Chords: G♯7/D, C♯m, C♯m/E♭, D♯7♭5/A♭, A♯dim, G♯7, G♯7sus4, D♯7, C♯m7, F♯m/A♭, C♯m/G, A7, F♯m7, F♯m, B9, E, Em7, Em, A9, F♯m7/A♭, F♯7/A.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#