Golden Earrings in C#

Victor Young / Jay Livingston / Ray Evans(1947)swing
Do Re MiC D E
A
B
G♯7/D♯
C♯m/E
D♯7♭5/A
G♯7sus4
F♯m/A
C♯m/G♯
G♯7sus4
F♯7/A♯
F♯m7/A
G♯7sus4
G♯7/D♯
C♯m/E
D♯7♭5/A
G♯7sus4
F♯m/A
C♯m/G♯
G♯7sus4

Chord Diagrams — Golden Earrings in C# (Guitar)

Display
FingerNoteDegree
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
G♯7/D♯
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯m/E
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
A♯dim
EADGBEx1243x
4frEADGBE31x42x8frEADGBExx12x311frEADGBEx41x23
D♯7♭5/A
EADGBExx1234
4frEADGBExx24136frEADGBE111x2310frEADGBE2x341x
G♯7sus4
EADGBE1122xx
4frEADGBE1111349frEADGBE11x23411frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
F♯m/A
5frEADGBExx3241
EADGBE1111344frEADGBE11x3429frEADGBE111342
C♯m/G♯
4frEADGBE111342
EADGBEx4213x6frEADGBE1132x49frEADGBE111134
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
F♯7/A♯
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
F♯m7/A
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314

Golden Earrings in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to F# (ascending minor third), F# to C# (descending perfect fourth), C# to A (descending major third), A to F# (descending minor third), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to E (ascending unison), E to A (ascending perfect fourth), A to F# (descending minor third), F# to F# (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to C# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 25 bars · Form: AB

Chords: C♯m, G♯7/D♯, C♯m/E, A♯dim, D♯7♭5/A, G♯7sus4, G♯7, C♯m7, D♯7, F♯m/A, C♯m/G♯, A7, F♯m, F♯m7, B9, E, Em, Em7, A9, F♯7/A♯, F♯m7/A.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#