Do Re MiC D E

Golden Earrings

Victor Young / Jay Livingston / Ray Evans(1947)2/2ballad
C♯7/D
F♯m/E♭
G♯7♭5/A♭
C♯7sus4
Bm/A♭
C♯7sus4
F♯m/G
Bm7/A♭
B7/A
C♯7sus4
C♯7/D
F♯m/E♭
G♯7♭5/A♭
C♯7sus4
Bm/A♭
C♯7sus4
F♯m/G

Chord Diagrams — Golden Earrings in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯7/D
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
F♯m/E♭
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
G♯7♭5/A♭
3frEADGBE2x341x
6frEADGBExx1234
9frEADGBE11x243
11frEADGBE11x23x
D♯dim
4frEADGBEx41x23
EADGBExx12x3
6frEADGBEx1243x
9frEADGBE31x42x
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
C♯7sus4
4frEADGBE111134
EADGBE11x234
6frEADGBExxx123
9frEADGBE111134
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Bm/A♭
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
F♯m/G
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
E9
EADGBE113x42
EADGBE213
6frEADGBE221334
9frEADGBE11112
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Am
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
D9
4frEADGBE221334
7frEADGBEx1234
9frEADGBE11234x
10frEADGBE111324
Bm7/A♭
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
B7/A
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132

Explore More

Golden Earrings in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to G# (ascending whole step), G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to D (descending major third), D to B (descending minor third), B to B (ascending unison), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to A (ascending unison), A to D (ascending perfect fourth), D to B (descending minor third), B to B (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to C# by whole step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 25 bars · Form: AB

Chords: C♯7/D, F♯m, F♯m/E♭, G♯7♭5/A♭, D♯dim, C♯7, C♯7sus4, G♯7, F♯m7, Bm/A♭, F♯m/G, D7, Bm7, Bm, E9, A, Am7, Am, D9, Bm7/A♭, B7/A.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#