Golden Earrings in F#

Victor Young / Jay Livingston / Ray Evans(1947)swing
Do Re MiC D E
A
B
C♯7/G♯
F♯m/A
G♯7♭5/D
C♯7sus4
Bm/D
F♯m/C♯
C♯7sus4
B7/D♯
Bm7/D
C♯7sus4
C♯7/G♯
F♯m/A
G♯7♭5/D
C♯7sus4
Bm/D
F♯m/C♯
C♯7sus4

Chord Diagrams — Golden Earrings in F# (Guitar)

Display
FingerNoteDegree
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
C♯7/G♯
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯m/A
5frEADGBExx3241
EADGBE1111344frEADGBE11x3429frEADGBE111342
D♯dim
EADGBExx12x3
4frEADGBEx41x236frEADGBEx1243x9frEADGBE31x42x
G♯7♭5/D
3frEADGBE2x341x
6frEADGBExx12349frEADGBE11x24311frEADGBE11x23x
C♯7sus4
EADGBE11x234
4frEADGBE1111346frEADGBExxx1239frEADGBE111134
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Bm/D
10frEADGBExx3241
EADGBE1113427frEADGBE1111349frEADGBExx1342
F♯m/C♯
4frEADGBE11x342
EADGBE1111345frEADGBExx32419frEADGBE111342
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
D9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
B7/D♯
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Bm7/D
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423

Golden Earrings in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to B (ascending minor third), B to F# (descending perfect fourth), F# to D (descending major third), D to B (descending minor third), B to B (ascending unison), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to A (ascending unison), A to D (ascending perfect fourth), D to B (descending minor third), B to B (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 25 bars · Form: AB

Chords: F♯m, C♯7/G♯, F♯m/A, D♯dim, G♯7♭5/D, C♯7sus4, C♯7, F♯m7, G♯7, Bm/D, F♯m/C♯, D7, Bm, Bm7, E9, A, Am, Am7, D9, B7/D♯, Bm7/D.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#