Do Re MiC D E

Dolphin Dance

Herbie Hancock(1965)4/4swing
C♯Maj13
G♯m7add2/E♭
C♯Maj13
A♯m7add2
F♯Maj7♯11
A♯m13
C13♭9
FMaj9
A♯m7add11
C13♭9
FMaj13
D♯Maj7/G
G/G
D♯7♯11/G
D♯13
Am7/F
D♯7sus4
Am7add2
Cm7add2
D13♭9♯11
E13♭9
Amadd2/E
A♯Maj7♯11/E
Amadd2/E
A♯Maj7♯11/E
C♯13
F♯Maj7/E♭
F7♭9♯9♭5♯5

Chord Diagrams — Dolphin Dance in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯Maj13
C♯ - F - G♯ - C - D♯ - A♯
G♯m7add2/E♭
Cm7♭5
4frEADGBE11xx24
EADGBEx1324x
8frEADGBE111234
10frEADGBE333xx1
A♯m7add2
F♯Maj7♯11
G♯m9
4frEADGBE111134
EADGBE11143
7frEADGBE221341
9frEADGBEx21344
A♯m13
A♯ - C♯ - F - G♯ - C - G
C13♭9
3frEADGBE111134
2frEADGBE44x213
6frEADGBE222341
8frEADGBE111324
Gm9
3frEADGBE111134
EADGBE2341
6frEADGBE11xx2
8frEADGBEx21344
FMaj9
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
D♯m6
4frEADGBE11x324
EADGBE111x32
7frEADGBExx2314
11frEADGBE111234
A♯m7add11
A♯ - C♯ - F - G♯ - D♯
FMaj13
F - A - C - E - G - D
D♯Maj7/G
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
G/G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
D♯7♯11/G
5frEADGBE11x234
EADGBExx1234
6frEADGBE11x23x
10frEADGBE111234
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
Am7/F
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
D♯7sus4
6frEADGBE111134
EADGBExx1324
4frEADGBE11x234
11frEADGBE111134
Dm9
5frEADGBEx1423
EADGBE132
3frEADGBEx21344
10frEADGBE111134
G7♯5
5frEADGBExx1423
EADGBE4312
EADGBE1x234x
10frEADGBE11x432
C♯7♯11
4frEADGBE111x23
EADGBEx213
8frEADGBE111234
9frEADGBE111123
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
C13
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
8frEADGBE111324
Am7add2
Cm7add2
D13♭9♯11
D - F♯ - A - C - E♭ - G♯ - B
Bm9
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
E13♭9
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
Amadd2/E
A♯Maj7♯11/E
C♯13
4frEADGBE111134
EADGBEx4231
7frEADGBE222341
9frEADGBE111234
C♯Maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
F♯Maj7/E♭
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
F7♭9♯9♭5♯5

Explore More

Dolphin Dance in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to G# (descending perfect fourth), G# to C (ascending major third), C to A# (descending whole step), A# to F# (descending major third), F# to G# (ascending whole step), G# to A# (ascending whole step), A# to C (ascending whole step), C to G (descending perfect fourth), G to F (descending whole step), F to F# (ascending half step), F# to D# (descending minor third), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to D# (descending whole step), D# to G (ascending major third), G to D# (descending major third), D# to D# (ascending unison), D# to A (ascending tritone), A to D# (ascending tritone), D# to D (descending half step), D to G (ascending perfect fourth), G to C# (ascending tritone), C# to C (descending half step), C to C (ascending unison), C to A (descending minor third), A to C (ascending minor third), C to D (ascending whole step), D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A# (ascending half step), A# to C# (ascending minor third), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to C# by major third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 38 bars · Form: A

Chords: C♯Maj13, G♯m7add2/E♭, Cm7♭5, A♯m7add2, F♯Maj7♯11, G♯m9, A♯m13, C13♭9, Gm9, FMaj9, F♯m9, D♯m9, D♯m6, A♯m7add11, FMaj13, D♯Maj7/G, G/G, D♯7♯11/G, D♯13, Am7/F, D♯7sus4, Dm9, G7♯5, C♯7♯11, C7♭9, C13, Am7add2, Cm7add2, D13♭9♯11, Bm9, E13♭9, Amadd2/E, A♯Maj7♯11/E, C♯13, C♯Maj7, F♯Maj7/E♭, F7♭9♯9♭5♯5.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#