Dolphin Dance in C#

Herbie Hancock(1965)swing
Do Re MiC D E
A
C♯Maj13
G♯m7add2/C♯
C♯Maj13
A♯m7add2
F♯Maj7♯11
A♯m13
C13♭9
FMaj9
A♯m7add11
C13♭9
FMaj13
D♯Maj7/F
G/F
D♯7♯11/F
D♯13
Am7/D♯
D♯7sus4
Am7add2
D13♭9♯11
Cm7add2
E13♭9
Amadd2/D
A♯Maj7♯11/D
Amadd2/D
A♯Maj7♯11/D
C♯13
F♯Maj7/C♯
F7♭9♯9♭5♯5

Chord Diagrams — Dolphin Dance in C# (Guitar)

Display
FingerNoteDegree
C♯Maj13
C♯ - F - G♯ - C - D♯ - A♯
G♯m7add2/C♯
Cm7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
A♯m7add2
F♯Maj7♯11
A♯m13
A♯ - C♯ - F - G♯ - C - G
G♯m9
EADGBE11143
4frEADGBE1111347frEADGBE2213419frEADGBE2222x1
Gm9
EADGBE2341
3frEADGBE1111346frEADGBE11xx28frEADGBE2222x1
C13♭9
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
FMaj9
F♯m9
EADGBE2314
EADGBE1111237frEADGBE2222x110frEADGBExx2413
D♯m9
4frEADGBE2222x1
7frEADGBExx24139frEADGBE333x1211frEADGBE111134
D♯m6
EADGBE111x32
4frEADGBE11x3247frEADGBExx231411frEADGBE111234
A♯m7add11
A♯ - C♯ - F - G♯ - D♯
FMaj13
F - A - C - E - G - D
D♯Maj7/F
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
G/F
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
D♯7♯11/F
EADGBExx1234
5frEADGBE11x2346frEADGBE11x23x10frEADGBE111234
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
Am7/D♯
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
D♯7sus4
EADGBExx1324
4frEADGBE11x2346frEADGBE11113411frEADGBE111134
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
C♯7♯11
EADGBEx213
4frEADGBE111x238frEADGBE1112349frEADGBE111123
G7♯5
EADGBE4312
EADGBE1x234x5frEADGBExx142310frEADGBE11x432
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
C7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
Am7add2
D13♭9♯11
D - F♯ - A - C - E♭ - G♯ - B
Cm7add2
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
E13♭9
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
Amadd2/D
A♯Maj7♯11/D
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
F♯Maj7/C♯
4frEADGBE11x333
EADGBE1114236frEADGBE111x439frEADGBE111324
F7♭9♯9♭5♯5

Dolphin Dance in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to G# (descending perfect fourth), G# to C (ascending major third), C to A# (descending whole step), A# to F# (descending major third), F# to A# (ascending major third), A# to G# (descending whole step), G# to G (descending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F# (ascending half step), F# to D# (descending minor third), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to D# (descending whole step), D# to G (ascending major third), G to D# (descending major third), D# to D# (ascending unison), D# to A (ascending tritone), A to D# (ascending tritone), D# to D (descending half step), D to C# (descending half step), C# to G (ascending tritone), G to C (ascending perfect fourth), C to C (ascending unison), C to A (descending minor third), A to D (ascending perfect fourth), D to C (descending whole step), C to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A# (ascending half step), A# to C# (ascending minor third), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to C# by major third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 38 bars · Form: A

Chords: C♯Maj13, G♯m7add2/C♯, Cm7♭5, A♯m7add2, F♯Maj7♯11, A♯m13, G♯m9, Gm9, C13♭9, FMaj9, F♯m9, D♯m9, D♯m6, A♯m7add11, FMaj13, D♯Maj7/F, G/F, D♯7♯11/F, D♯13, Am7/D♯, D♯7sus4, Dm9, C♯7♯11, G7♯5, C13, C7♭9, Am7add2, D13♭9♯11, Cm7add2, Bm9, E13♭9, Amadd2/D, A♯Maj7♯11/D, C♯13, C♯Maj7, F♯Maj7/C♯, F7♭9♯9♭5♯5.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#