Dolphin Dance in D#

Herbie Hancock(1965)swing
Do Re MiC D E
A
D♯Maj13
A♯m7add2/D♯
D♯Maj13
Cm7add2
G♯Maj7♯11
Cm13
D13♭9
GMaj9
Cm7add11
D13♭9
GMaj13
FMaj7/G
A/G
F7♯11/G
F13
Bm7/F
F7sus4
Bm7add2
E13♭9♯11
Dm7add2
F♯13♭9
Bmadd2/E
CMaj7♯11/E
Bmadd2/E
CMaj7♯11/E
D♯13
G♯Maj7/D♯
G7♭9♯9♭5♯5

Chord Diagrams — Dolphin Dance in D# (Guitar)

Display
FingerNoteDegree
D♯Maj13
D♯ - G - A♯ - D - F - C
A♯m7add2/D♯
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
Cm7add2
G♯Maj7♯11
Cm13
C - E♭ - G - B♭ - D - A
A♯m9
2frEADGBExx2413
4frEADGBE113x246frEADGBE11113411frEADGBEx2134x
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
D13♭9
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
GMaj9
G♯m9
EADGBE11143
4frEADGBE1111347frEADGBE2213419frEADGBE2222x1
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
Fm6
EADGBE1x234
3frEADGBE11xx326frEADGBE11x3249frEADGBExx2314
Cm7add11
C - E♭ - G - B♭ - F
GMaj13
G - B - D - F♯ - A - E
FMaj7/G
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
A/G
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
F7♯11/G
EADGBE123
3frEADGBExx12347frEADGBE11x2348frEADGBE111x23
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
Bm7/F
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
F7sus4
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
Em9
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
D♯7♯11
EADGBExx1234
5frEADGBE11x2346frEADGBE11x23x10frEADGBE111234
A7♯5
EADGBEx321
EADGBE11x235frEADGBE11x237frEADGBExx1423
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
D7♭9
2frEADGBExx431
4frEADGBE11x2345frEADGBE11x248frEADGBE3241xx
Bm7add2
E13♭9♯11
E - G♯ - B - D - F - A♯ - C♯
Dm7add2
C♯m9
EADGBE2222x1
5frEADGBE222x147frEADGBE333x129frEADGBE111134
F♯13♭9
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
Bmadd2/E
CMaj7♯11/E
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
G♯Maj7/D♯
6frEADGBE11x333
4frEADGBE1114239frEADGBEx3241x11frEADGBE111324
G7♭9♯9♭5♯5

Dolphin Dance in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to A# (descending perfect fourth), A# to D (ascending major third), D to C (descending whole step), C to G# (descending major third), G# to C (ascending major third), C to A# (descending whole step), A# to A (descending half step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G# (ascending half step), G# to F (descending minor third), F to F (ascending unison), F to C (descending perfect fourth), C to G (descending perfect fourth), G to F (descending whole step), F to A (ascending major third), A to F (descending major third), F to F (ascending unison), F to B (ascending tritone), B to F (ascending tritone), F to E (descending half step), E to D# (descending half step), D# to A (ascending tritone), A to D (ascending perfect fourth), D to D (ascending unison), D to B (descending minor third), B to E (ascending perfect fourth), E to D (descending whole step), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to C (ascending half step), C to D# (ascending minor third), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to D# by major third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 38 bars · Form: A

Chords: D♯Maj13, A♯m7add2/D♯, Dm7♭5, Cm7add2, G♯Maj7♯11, Cm13, A♯m9, Am9, D13♭9, GMaj9, G♯m9, Fm9, Fm6, Cm7add11, GMaj13, FMaj7/G, A/G, F7♯11/G, F13, Bm7/F, F7sus4, Em9, D♯7♯11, A7♯5, D13, D7♭9, Bm7add2, E13♭9♯11, Dm7add2, C♯m9, F♯13♭9, Bmadd2/E, CMaj7♯11/E, D♯13, D♯Maj7, G♯Maj7/D♯, G7♭9♯9♭5♯5.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#