Dolphin Dance in E

Herbie Hancock(1965)swing
Do Re MiC D E
A
EMaj13
Bm7add2/E
EMaj13
C♯m7add2
AMaj7♯11
C♯m13
D♯13♭9
G♯Maj9
C♯m7add11
D♯13♭9
G♯Maj13
F♯Maj7/G♯
A♯/G♯
F♯7♯11/G♯
F♯13
Cm7/F♯
F♯7sus4
A♯7♯5
D♯13
Cm7add2
F13♭9♯11
D♯m7add2
G13♭9
Cmadd2/F
C♯Maj7♯11/F
Cmadd2/F
C♯Maj7♯11/F
E13
AMaj7/E
G♯7♭9♯9♭5♯5

Chord Diagrams — Dolphin Dance in E (Guitar)

Display
FingerNoteDegree
EMaj13
E - G♯ - B - D♯ - F♯ - C♯
Bm7add2/E
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
C♯m7add2
AMaj7♯11
C♯m13
C♯ - E - G♯ - B - D♯ - A♯
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
A♯m9
2frEADGBExx2413
4frEADGBE113x246frEADGBE11113411frEADGBEx2134x
D♯13♭9
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
G♯Maj9
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
F♯m9
EADGBE2314
EADGBE1111237frEADGBE2222x110frEADGBExx2413
F♯m6
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
C♯m7add11
C♯ - E - G♯ - B - F♯
G♯Maj13
G♯ - C - D♯ - G - A♯ - F
F♯Maj7/G♯
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
A♯/G♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
F♯7♯11/G♯
EADGBE111234
4frEADGBExx12348frEADGBE11x2349frEADGBE111x23
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
Cm7/F♯
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
F♯7sus4
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
E7♯11
EADGBE12
3frEADGBE31426frEADGBE11x23411frEADGBE111234
A♯7♯5
EADGBE11x432
6frEADGBE1x234x8frEADGBExx142312frEADGBEx213x4
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
Cm7add2
F13♭9♯11
F - A - C - E♭ - G♭ - B - D
D♯m7add2
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
G13♭9
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
Cmadd2/F
C♯Maj7♯11/F
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
AMaj7/E
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
G♯7♭9♯9♭5♯5

Dolphin Dance in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to B (descending perfect fourth), B to D# (ascending major third), D# to C# (descending whole step), C# to A (descending major third), A to C# (ascending major third), C# to B (descending whole step), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to A (ascending half step), A to F# (descending minor third), F# to F# (ascending unison), F# to C# (descending perfect fourth), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to A# (ascending major third), A# to F# (descending major third), F# to F# (ascending unison), F# to C (ascending tritone), C to F# (ascending tritone), F# to F (descending half step), F to E (descending half step), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to C (descending minor third), C to F (ascending perfect fourth), F to D# (descending whole step), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C# (ascending half step), C# to E (ascending minor third), E to E (ascending unison), E to A (ascending perfect fourth), A to G# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to E by major third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 38 bars · Form: A

Chords: EMaj13, Bm7add2/E, D♯m7♭5, C♯m7add2, AMaj7♯11, C♯m13, Bm9, A♯m9, D♯13♭9, G♯Maj9, Am9, F♯m9, F♯m6, C♯m7add11, G♯Maj13, F♯Maj7/G♯, A♯/G♯, F♯7♯11/G♯, F♯13, Cm7/F♯, F♯7sus4, Fm9, E7♯11, A♯7♯5, D♯13, D♯7♭9, Cm7add2, F13♭9♯11, D♯m7add2, Dm9, G13♭9, Cmadd2/F, C♯Maj7♯11/F, E13, EMaj7, AMaj7/E, G♯7♭9♯9♭5♯5.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E