Do Re MiC D E

Dienda

Kirkland Kenny4/4waltz
Bm11
Aadd9/A
A♯maj7♯11
Bm11
Aadd9/A
A/D♭
%
A/G
A/D♭
Dm/D♭
B13♯11
A♯maj9♯11
Am11
Eadd9/E
A/E♭
F♯m11
Dmaj7/D
C♯9sus4
Am9/B♭
D/G♭
D/G♭
Am9/E♭
G♯/C
F13♯11
F♯m9/C
A♯/B♭
Am11/A♭
Bm11
A♯maj7♯11
Dmaj7♯5/A
Dmaj7♯11/D
E/A♭
Bm11
Aadd9/A
A♯maj7♯11
Bm11
Aadd9/A
A/D♭
%
Bm11
Aadd9/A
A♯maj7♯11
Bm11
Aadd9/A
A/D♭
Bm11
Aadd9/A
A♯maj7♯11
Bm11
Aadd9/A
A/D♭
%

Chord Diagrams — Dienda in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bm11
5frEADGBE111342
EADGBEx123
7frEADGBE111114
9frEADGBE1122xx
Aadd9/A
5frEADGBExx3214
EADGBEx132
9frEADGBE11x324
11frEADGBEx21x34
A♯maj7♯11
6frEADGBE111234
EADGBE11x234
5frEADGBE111123
10frEADGBE11x423
A/D♭
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
A/G
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Dm/D♭
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
F♯m9
7frEADGBEx21344
EADGBE2314
EADGBE111123
10frEADGBExx2413
B13♯11
B - D♯ - F♯ - A - C♯ - F - G♯
A♯maj9♯11
6frEADGBE111234
EADGBE11x234
5frEADGBE111123
10frEADGBE11x423
Am11
5frEADGBE111114
EADGBEx1
3frEADGBE111342
10frEADGBE11x234
Eadd9/E
4frEADGBE11x324
EADGBE2314
6frEADGBEx21x34
12frEADGBExx3214
A/E♭
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
F♯m11
4frEADGBE11xx23
EADGBE231
EADGBE111114
7frEADGBE11x234
Dmaj7/D
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
C♯9sus4
C♯ - F♯ - G♯ - B - D♯
Am9/B♭
5frEADGBE111134
EADGBEx2413
8frEADGBE132
10frEADGBEx21344
D/G♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
Am9
5frEADGBE111134
EADGBEx2413
8frEADGBE132
10frEADGBEx21344
Am9/E♭
5frEADGBE111134
EADGBEx2413
8frEADGBE132
10frEADGBEx21344
F♯m7♭5
4frEADGBE222xx1
EADGBE2341
9frEADGBEx1324x
10frEADGBE11xx24
G♯/C
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
E6
5frEADGBEx4231x
EADGBE2314
EADGBE11134
7frEADGBE3333x1
E7alt
5frEADGBE42x13
EADGBE132xx
2frEADGBExx1243
7frEADGBE1234
F13♯11
F - A - C - E♭ - G - B - D
F♯m9/C
7frEADGBEx21344
EADGBE2314
EADGBE111123
10frEADGBExx2413
A♯/B♭
8frEADGBE11x243
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
Dm
10frEADGBE111134
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
Am11/A♭
10frEADGBE11x234
EADGBEx1
3frEADGBE111342
5frEADGBE111114
Dmaj7♯5/A
9frEADGBExx231
EADGBExx423
2frEADGBE111432
5frEADGBEx1243
Dmaj7♯11/D
9frEADGBE111123
EADGBE11xx3
2frEADGBEx4231
5frEADGBE11x234
E/A♭
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
Fmaj7
8frEADGBE111324
EADGBExx321
EADGBE111423
3frEADGBE11x333

Explore More

Dienda in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to A (descending whole step), A to A# (ascending half step), A# to A (descending half step), A to A (ascending unison), A to D (ascending perfect fourth), D to F# (ascending major third), F# to B (ascending perfect fourth), B to A# (descending half step), A# to A (descending half step), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to F# (descending minor third), F# to D (descending major third), D to C# (descending half step), C# to A (descending major third), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to A (ascending unison), A to F# (descending minor third), F# to G# (ascending whole step), G# to E (descending major third), E to E (ascending unison), E to F (ascending half step), F to F# (ascending half step), F# to A# (ascending major third), A# to D (ascending major third), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to E (ascending whole step), E to F (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to B by tritone.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 48 bars · Form: AB

Chords: Bm11, Aadd9/A, A♯maj7♯11, A/D♭, A/G, Dm/D♭, F♯m9, B13♯11, A♯maj9♯11, Am11, Eadd9/E, A/E♭, F♯m11, Dmaj7/D, C♯9sus4, Am9/B♭, D/G♭, Am9, Am9/E♭, F♯m7♭5, G♯/C, E6, E7alt, F13♯11, F♯m9/C, A♯/B♭, Dm, Am11/A♭, Dmaj7♯5/A, Dmaj7♯11/D, E/A♭, Fmaj7.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E