Do Re MiC D E

Dienda

Kirkland Kenny4/4waltz
Gm11
Fadd9/A
F♯maj7♯11
Gm11
Fadd9/A
F/D♭
%
F/G
F/D♭
A♯m/D♭
G13♯11
F♯maj9♯11
Fm11
Cadd9/E
F/E♭
Dm11
A♯maj7/D
A9sus4
Fm9/B♭
A♯/G♭
A♯/G♭
Fm9/E♭
E/C
C♯13♯11
Dm9/C
F♯/B♭
Fm11/A♭
Gm11
F♯maj7♯11
A♯maj7♯5/A
A♯maj7♯11/D
C/A♭
Gm11
Fadd9/A
F♯maj7♯11
Gm11
Fadd9/A
F/D♭
%
Gm11
Fadd9/A
F♯maj7♯11
Gm11
Fadd9/A
F/D♭
Gm11
Fadd9/A
F♯maj7♯11
Gm11
Fadd9/A
F/D♭
%

Chord Diagrams — Dienda in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gm11
5frEADGBE11xx23
EADGBE2x341x
3frEADGBE111114
8frEADGBE11x234
Fadd9/A
5frEADGBE11x324
EADGBExx3214
3frEADGBExx143
7frEADGBEx2134
F♯maj7♯11
6frEADGBE11x423
EADGBE111123
4frEADGBE11x234
9frEADGBE11x234
F/D♭
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
F/G
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
A♯m/D♭
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
Dm9
5frEADGBEx1423
EADGBE132
3frEADGBEx21344
10frEADGBE111134
G13♯11
G - B - D - F - A - C♯ - E
F♯maj9♯11
4frEADGBE11x234
EADGBE111123
6frEADGBE11x423
9frEADGBE11x234
Fm11
EADGBE11xx23
EADGBE111114
6frEADGBE11x234
11frEADGBE111342
Cadd9/E
EADGBEx13
EADGBEx213
7frEADGBE213
8frEADGBExx3214
F/E♭
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
Dm11
EADGBE11xx
3frEADGBE11x234
8frEADGBE111342
10frEADGBE111114
A♯maj7/D
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
A9sus4
A - D - E - G - B
Fm9/B♭
EADGBE111134
EADGBEx1234
6frEADGBEx21344
11frEADGBE21344
A♯/G♭
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
Fm9
EADGBE111134
EADGBEx1234
6frEADGBEx21344
11frEADGBE21344
Fm9/E♭
EADGBE111134
EADGBEx1234
6frEADGBEx21344
11frEADGBE21344
Dm7♭5
EADGBE111xx
3frEADGBE11x342
5frEADGBEx1324x
8frEADGBEx1432
E/C
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
C6
EADGBEx4231
3frEADGBE3333x1
7frEADGBE2x143x
8frEADGBE11x324
C7alt
2frEADGBE11x234
3frEADGBEx1234
7frEADGBExx4312
10frEADGBExx1243
C♯13♯11
C♯ - F - G♯ - B - D♯ - G - A♯
Dm9/C
3frEADGBEx21344
EADGBE132
5frEADGBEx1423
10frEADGBE111134
F♯/B♭
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
A♯m
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
Fm11/A♭
6frEADGBE11x234
EADGBE111114
EADGBE11xx23
11frEADGBE111342
A♯maj7♯5/A
6frEADGBE1x234x
EADGBEx1243
3frEADGBE11xx24
10frEADGBE111432
A♯maj7♯11/D
6frEADGBE111234
EADGBE11x234
5frEADGBE111123
10frEADGBE11x423
C/A♭
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x

Explore More

Dienda in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to F (descending whole step), F to F# (ascending half step), F# to F (descending half step), F to F (ascending unison), F to A# (ascending perfect fourth), A# to D (ascending major third), D to G (ascending perfect fourth), G to F# (descending half step), F# to F (descending half step), F to C (descending perfect fourth), C to F (ascending perfect fourth), F to D (descending minor third), D to A# (descending major third), A# to A (descending half step), A to F (descending major third), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to F (ascending unison), F to D (descending minor third), D to E (ascending whole step), E to C (descending major third), C to C (ascending unison), C to C# (ascending half step), C# to D (ascending half step), D to F# (ascending major third), F# to A# (ascending major third), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to C (ascending whole step), C to C# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to G by tritone.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 48 bars · Form: AB

Chords: Gm11, Fadd9/A, F♯maj7♯11, F/D♭, F/G, A♯m/D♭, Dm9, G13♯11, F♯maj9♯11, Fm11, Cadd9/E, F/E♭, Dm11, A♯maj7/D, A9sus4, Fm9/B♭, A♯/G♭, Fm9, Fm9/E♭, Dm7♭5, E/C, C6, C7alt, C♯13♯11, Dm9/C, F♯/B♭, A♯m, Fm11/A♭, A♯maj7♯5/A, A♯maj7♯11/D, C/A♭, C♯maj7.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C