Do Re MiC D E

Dienda

Kirkland Kenny4/4waltz
G♯m11
F♯add9/A
Gmaj7♯11
G♯m11
F♯add9/A
F♯/D♭
%
F♯/G
F♯/D♭
Bm/D♭
G♯13♯11
Gmaj9♯11
F♯m11
C♯add9/E
F♯/E♭
D♯m11
Bmaj7/D
A♯9sus4
F♯m9/B♭
B/G♭
B/G♭
F♯m9/E♭
D13♯11
D♯m9/C
G/B♭
F♯m11/A♭
G♯m11
Gmaj7♯11
Bmaj7♯5/A
Bmaj7♯11/D
C♯/A♭
G♯m11
F♯add9/A
Gmaj7♯11
G♯m11
F♯add9/A
F♯/D♭
%
G♯m11
F♯add9/A
Gmaj7♯11
G♯m11
F♯add9/A
F♯/D♭
G♯m11
F♯add9/A
Gmaj7♯11
G♯m11
F♯add9/A
F♯/D♭
%

Chord Diagrams — Dienda in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m11
4frEADGBE111114
EADGBE111342
6frEADGBE11xx23
9frEADGBE11x334
F♯add9/A
EADGBExx3214
EADGBE31x244
6frEADGBE11x324
8frEADGBEx21x34
Gmaj7♯11
3frEADGBE111234
EADGBE111133
7frEADGBE11x423
10frEADGBE11x234
F♯/D♭
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
F♯/G
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
Bm/D♭
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
G♯13♯11
G♯ - C - D♯ - F♯ - A♯ - D - F
Gmaj9♯11
3frEADGBE111234
EADGBE111133
7frEADGBE11x423
10frEADGBE11x234
F♯m11
4frEADGBE11xx23
EADGBE231
EADGBE111114
7frEADGBE11x234
C♯add9/E
EADGBEx21x34
EADGBE11x324
8frEADGBE31x24x
9frEADGBExx3214
F♯/E♭
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
D♯m11
EADGBE11xx34
4frEADGBE11x234
9frEADGBE111342
11frEADGBE111114
Bmaj7/D
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
A♯9sus4
A♯ - D♯ - F - G♯ - C
F♯m9/B♭
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
B/G♭
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
F♯m9/E♭
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x
7frEADGBE11xx24
10frEADGBE2x341x
F/C
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
C♯6
EADGBEx4231x
4frEADGBE3333x1
6frEADGBE111423
9frEADGBE11x324
C♯7alt
EADGBEx4321
3frEADGBEx2341
4frEADGBEx1234x
8frEADGBExx4312
D13♯11
D - F♯ - A - C - E - G♯ - B
D♯m9/C
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
G/B♭
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
Bm
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
F♯m11/A♭
7frEADGBE11x234
EADGBE231
EADGBE111114
4frEADGBE11xx23
Bmaj7♯5/A
6frEADGBE2133x
EADGBEx2134
2frEADGBEx1423x
11frEADGBE111432
Bmaj7♯11/D
7frEADGBE111234
EADGBE11x234
6frEADGBE111123
11frEADGBE11x423
C♯/A♭
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
Dmaj7
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324

Explore More

Dienda in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to F# (descending whole step), F# to G (ascending half step), G to F# (descending half step), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to D# (ascending major third), D# to G# (ascending perfect fourth), G# to G (descending half step), G to F# (descending half step), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to D# (descending minor third), D# to B (descending major third), B to A# (descending half step), A# to F# (descending major third), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to D# (descending minor third), D# to F (ascending whole step), F to C# (descending major third), C# to C# (ascending unison), C# to D (ascending half step), D to D# (ascending half step), D# to G (ascending major third), G to B (ascending major third), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to C# (ascending whole step), C# to D (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to G# by tritone.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 48 bars · Form: AB

Chords: G♯m11, F♯add9/A, Gmaj7♯11, F♯/D♭, F♯/G, Bm/D♭, D♯m9, G♯13♯11, Gmaj9♯11, F♯m11, C♯add9/E, F♯/E♭, D♯m11, Bmaj7/D, A♯9sus4, F♯m9/B♭, B/G♭, F♯m9, F♯m9/E♭, D♯m7♭5, F/C, C♯6, C♯7alt, D13♯11, D♯m9/C, G/B♭, Bm, F♯m11/A♭, Bmaj7♯5/A, Bmaj7♯11/D, C♯/A♭, Dmaj7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#