Daahoud in G#

Clifford Brown(1973)swing
Do Re MiC D E
A
B
D♯m7add11
C♯Maj9
C♯m7add11
C♭Maj7
C♭6
C♭7

Chord Diagrams — Daahoud in G# (Guitar)

Display
FingerNoteDegree
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
G♯m9
EADGBE11143
4frEADGBE1111347frEADGBE2213419frEADGBE2222x1
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
B6
EADGBEx312x
EADGBE3333x17frEADGBE1x324x9frEADGBE11xx34
B6
EADGBEx312x
EADGBE3333x17frEADGBE1x324x9frEADGBE11xx34
C♯m6
EADGBE11x324
5frEADGBExx23148frEADGBE2x134x9frEADGBE111234
D♯7♯9
EADGBExx234
5frEADGBEx2134x8frEADGBE111x2310frEADGBE2134xx
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
D♯m7add11
D♯ - F♯ - A♯ - C♯ - G♯
D7♭5
EADGBE11xx2
3frEADGBExx24135frEADGBE11x23x9frEADGBE2x341x
C♯Maj9
C♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
C♯m7add11
C♯ - E - G♯ - B - F♯
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132

Daahoud in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to G# (descending perfect fourth), G# to B (ascending minor third), B to F# (descending perfect fourth), F# to Cb (ascending tritone), Cb to Cb (ascending unison), Cb to B (descending half step), B to C# (ascending whole step), C# to D# (ascending whole step), D# to A# (descending perfect fourth), A# to B (ascending half step), B to A# (descending half step), A# to G# (descending whole step), G# to C (ascending major third), C to D# (ascending minor third), D# to D (descending half step), D to C# (descending half step), C# to C# (ascending unison), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to D# (ascending major third), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to Cb (ascending major third), Cb to D# (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to C# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 31 bars · Form: AB

Chords: C♯7, G♯m9, B7, F♯m7, C♭Maj7, C♭6, B6, C♯m6, D♯7♯9, A♯7, Bm7, A♯m7, G♯Maj7, Cm7, D♯m7add11, D7♭5, C♯Maj9, C♯6, C♯m7add11, F♯7, BMaj7, D♯9, C♯m7, G♯m7, C♭7, D♯7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#