Daahoud in D#

Clifford Brown(1973)swing
Do Re MiC D E
A
B
A♯m7add11
G♯Maj9
G♯m7add11
C♭Maj7
C♭6
C♭7

Chord Diagrams — Daahoud in D# (Guitar)

Display
FingerNoteDegree
D♯m9
4frEADGBE2222x1
7frEADGBExx24139frEADGBE333x1211frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
B6
EADGBEx312x
EADGBE3333x17frEADGBE1x324x9frEADGBE11xx34
G♯m6
EADGBE2x134x
4frEADGBE1112346frEADGBE111x329frEADGBE11x324
F♯6
EADGBE2x143x
EADGBE11x3244frEADGBE111x349frEADGBE3333x1
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯7♯9
EADGBEx123x
6frEADGBE1144327frEADGBExx213412frEADGBEx2134x
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
A♯m7add11
A♯ - C♯ - F - G♯ - D♯
A7♭5
EADGBEx1234
4frEADGBEx24137frEADGBExx123410frEADGBE11x243
G♯Maj9
G♯6
EADGBE1111x3
3frEADGBE2x143x6frEADGBE111x349frEADGBEx4231x
G♯m7add11
G♯ - B - D♯ - F♯ - C♯
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x

Daahoud in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to Cb (ascending tritone), Cb to Cb (ascending unison), Cb to G# (descending major third), G# to F# (descending whole step), F# to F (descending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to F# (ascending half step), F# to G (ascending half step), G to A# (ascending minor third), A# to A (descending half step), A to G# (descending half step), G# to G# (ascending unison), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to A# (ascending major third), A# to G# (descending whole step), G# to D# (descending perfect fourth), D# to Cb (descending minor third), Cb to A# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to D# by perfect fourth.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 31 bars · Form: AB

Chords: D♯m9, G♯7, C♯m7, F♯7, C♭Maj7, C♭6, G♯m6, F♯6, F7, A♯7♯9, D♯Maj7, Fm7, F♯m7, Gm7, A♯m7add11, A7♭5, G♯Maj9, G♯6, G♯m7add11, C♯7, F♯Maj7, A♯9, G♯m7, D♯m7, C♭7, A♯7.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#