Daahoud in F

Clifford Brown(1973)swing
Do Re MiC D E
A
B
C♭Maj7
C♭6
Cm7add11
A♯Maj9
A♯m7add11
C♭Maj7
C♭6
C♭7

Chord Diagrams — Daahoud in F (Guitar)

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Daahoud in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to Cb (ascending major third), Cb to Cb (ascending unison), Cb to A# (descending whole step), A# to G# (descending whole step), G# to G (descending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to G (ascending whole step), G to G# (ascending half step), G# to A (ascending half step), A to C (ascending minor third), C to B (descending half step), B to A# (descending half step), A# to A# (ascending unison), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to A# (descending whole step), A# to F (descending perfect fourth), F to Cb (descending perfect fourth), Cb to C (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to F by perfect fourth.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 31 bars · Form: AB

Chords: Fm9, A♯7, D♯m7, G♯7, C♭Maj7, C♭6, A♯m6, G♯6, G7, C7♯9, FMaj7, Gm7, G♯m7, Am7, Cm7add11, B7♭5, A♯Maj9, A♯6, A♯m7add11, D♯7, G♯Maj7, C9, A♯m7, Fm7, C♭7, C7.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F