C'est Si Bon in D

Henri Betti()swing
Do Re MiC D E
A
B

Chord Diagrams — C'est Si Bon in D (Guitar)

Display
FingerNoteDegree
D/F♯
2frEADGBE111432
EADGBExx1325frEADGBE11123410frEADGBE111342
Fdim7
EADGBE1x23
EADGBE11xx347frEADGBE11123412frEADGBE3x142x
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Aaug
EADGBEx4231
2frEADGBE11432x5frEADGBE11x42310frEADGBE11x32x
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
D6
EADGBExx23
3frEADGBEx4231x5frEADGBE3333x17frEADGBE111134
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
A♯6
EADGBE3333x1
5frEADGBE21346frEADGBE113x2410frEADGBEx4231x
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
Em9
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
Gm6
EADGBE2222x1
3frEADGBE1112345frEADGBE111x328frEADGBE11x324
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x

C'est Si Bon in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to F (ascending minor third), F to E (descending half step), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to F# (ascending major third), F# to B (ascending perfect fourth), B to C (ascending half step), C to C# (ascending half step), C# to D (ascending half step), D to A# (descending major third), A# to A (descending half step), A to C (ascending minor third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to G (descending minor third), G to A# (ascending minor third), A# to B (ascending half step), B to E (ascending perfect fourth), E to E (ascending unison), E to F (ascending half step), F to E (descending half step), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to G (descending major third), G to A# (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to D by major third.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 37 bars · Form: AB

Chords: D/F♯, Fdim7, Em7, A7, Aaug, D, F♯m7, B7, C7, C♯7, D6, A♯9, A9, Cm7, F7, A♯, G7, A♯6, Bm7, E9, Em9, Fm7, E7, F♯m7♭5, B7♭9, Gm6, A♯7.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D