C'est Si Bon in B

Henri Betti()swing
Do Re MiC D E
A
B

Chord Diagrams — C'est Si Bon in B (Guitar)

Display
FingerNoteDegree
B/D♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Ddim7
EADGBExx23
4frEADGBE11x2347frEADGBEx243110frEADGBE111234
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
F♯aug
EADGBExx4231
EADGBE11xx2x7frEADGBE11x32x11frEADGBE11432x
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
B6
EADGBEx312x
EADGBE3333x17frEADGBE1x324x9frEADGBE11xx34
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
G
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
G6
EADGBE21
EADGBE2x143x5frEADGBE111x3410frEADGBE3333x1
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
C♯m9
EADGBE2222x1
5frEADGBE222x147frEADGBE333x129frEADGBE111134
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
G♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234
Em6
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134

C'est Si Bon in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to D (ascending minor third), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to D# (ascending major third), D# to G# (ascending perfect fourth), G# to A (ascending half step), A to A# (ascending half step), A# to B (ascending half step), B to G (descending major third), G to F# (descending half step), F# to A (ascending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to E (descending minor third), E to G (ascending minor third), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to D (ascending half step), D to C# (descending half step), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to E (descending major third), E to G (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to B by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 37 bars · Form: AB

Chords: B/D♯, Ddim7, C♯m7, F♯7, F♯aug, B, D♯m7, G♯7, A7, A♯7, B6, G9, F♯9, Am7, D7, G, E7, G6, G♯m7, C♯9, C♯m9, Dm7, C♯7, D♯m7♭5, G♯7♭9, Em6, G7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B