C'est Si Bon in D#

Henri Betti()swing
Do Re MiC D E
A
B

Chord Diagrams — C'est Si Bon in D# (Guitar)

Display
FingerNoteDegree
F♯dim7
EADGBE112x3x
EADGBE1112344frEADGBExx13248frEADGBE111234
D♯/G
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯aug
EADGBEx1423x
3frEADGBE11432x6frEADGBExx42317frEADGBE11xx2x
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
D♯6
EADGBE11xx34
4frEADGBEx4231x6frEADGBE3333x110frEADGBE2x143x
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
B6
EADGBEx312x
EADGBE3333x17frEADGBE1x324x9frEADGBE11xx34
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
C7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
G♯m6
EADGBE2x134x
4frEADGBE1112346frEADGBE111x329frEADGBE11x324
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132

C'est Si Bon in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to D# (descending minor third), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to G (descending perfect fourth), G to D (descending perfect fourth), D to C# (descending half step), C# to A# (descending minor third), A# to B (ascending half step), B to D# (ascending major third), D# to F# (ascending minor third), F# to C# (descending perfect fourth), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to B (ascending unison), B to C (ascending half step), C to F (ascending perfect fourth), F to F (ascending unison), F to F# (ascending half step), F# to F (descending half step), F to G (ascending whole step), G to C (ascending perfect fourth), C to G# (descending major third), G# to B (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to F# by perfect fourth.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 37 bars · Form: AB

Chords: F♯dim7, D♯/G, Fm7, A♯aug, A♯7, D♯, C7, Gm7, D7, C♯7, A♯9, B9, D♯6, F♯7, C♯m7, G♯7, B, B6, Cm7, F9, Fm9, F♯m7, F7, Gm7♭5, C7♭9, G♯m6, B7.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#