Do Re MiC D E

Candy

Alex Kramer / Mack David /Joan Whitney(1944)2/2ballad
G♯/D
D♯11
G♯aug7
G♯13
G♯/D
D♯13♭9
D♯11
G♯/F
A♯/D
B/D
A♯13
D♯13
G♯aug7
A♯m7/F
G♯/D
D♯13♭9
D♯11
G♯aug7
G♯/F

Chord Diagrams — Candy in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯Maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
G♯/D
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
Bdim7
EADGBExx1324
EADGBE11x234
6frEADGBE3x142x
7frEADGBE111234
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯7♭9
EADGBExx24
5frEADGBE11x234
6frEADGBE11x34
9frEADGBE3241xx
D♯11
EADGBE111123
4frEADGBE11x324
6frEADGBE11113
11frEADGBE111112
G♯6
EADGBE1111x3
3frEADGBE2x143x
6frEADGBE111x34
9frEADGBEx4231x
G♯aug7
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
D♯13♭9
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
G♯
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
G♯/F
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
Ddim
5frEADGBEx1243x
EADGBExx1x2
3frEADGBEx41x23
8frEADGBE31x42x
A♯/D
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
B/D
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
C
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
C7
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
Gm7
8frEADGBE11x234
3frEADGBE111113
5frEADGBE11x423
10frEADGBE111132
F9
10frEADGBE1111x2
EADGBE111324
EADGBExx2143
7frEADGBE221334
F
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
Fdim7
7frEADGBE111234
EADGBE1x23
EADGBE11xx34
12frEADGBE3x142x
A♯13
6frEADGBE111234
EADGBE44x12
4frEADGBE1132
12frEADGBE44x213
D♯13
6frEADGBE111134
5frEADGBE44x213
9frEADGBE11423
11frEADGBE111234
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
A♯m7/F
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Ddim7
4frEADGBE11x234
EADGBExx23
7frEADGBEx2431
10frEADGBE111234

Explore More

Candy in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C# (ascending unison), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to D# (ascending unison), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to G# (ascending unison), G# to D (ascending tritone), D to A# (descending major third), A# to B (ascending half step), B to C (ascending half step), C to C (ascending unison), C to G (descending perfect fourth), G to F (descending whole step), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to D (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to C# by half step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: C♯Maj7, C♯m7, C♯m, G♯/D, Bdim7, A♯m7, D♯7♭9, D♯11, G♯6, G♯aug7, G♯13, D♯m9, D♯13♭9, C♯7, G♯, G♯/F, Ddim, A♯/D, B/D, C, C7, Gm7, F9, F, F7, Fdim7, A♯13, D♯13, G♯7, D♯7, A♯m7/F, Ddim7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#