Do Re MiC D E

Candy

Alex Kramer / Mack David /Joan Whitney(1944)2/2ballad
B/D
F♯11
Baug7
B13
B/D
F♯13♭9
F♯11
C♯/D
D/D
C♯13
F♯13
Baug7
C♯m7/F
B/D
F♯13♭9
F♯11
Baug7
B/F

Chord Diagrams — Candy in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
EMaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Em
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
B/D
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
Ddim7
EADGBExx23
4frEADGBE11x234
7frEADGBEx2431
10frEADGBE111234
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
F♯7♭9
3frEADGBE11xx23
EADGBE2134
8frEADGBE11x234
12frEADGBE3241xx
F♯11
4frEADGBE111123
EADGBE3142
7frEADGBE11x324
9frEADGBE1111x3
B6
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
Baug7
2frEADGBEx213
EADGBEx2134
7frEADGBE1x234x
9frEADGBExx1423
B13
EADGBE111134
EADGBE44x213
4frEADGBE111432
7frEADGBE111234
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
F♯13♭9
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
B/F
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
Fdim
EADGBExx12x3
6frEADGBEx41x23
8frEADGBEx1243x
11frEADGBE31x42x
C♯/D
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D/D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
D♯
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
G♯9
5frEADGBExx2143
EADGBE11234x
4frEADGBE111324
10frEADGBE221334
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
G♯dim7
EADGBE112x34
EADGBExx12
6frEADGBExx1324
10frEADGBE111234
C♯13
EADGBEx4231
4frEADGBE111134
7frEADGBE222341
9frEADGBE111234
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
C♯m7/F
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Fdim7
EADGBE11xx34
EADGBE1x23
7frEADGBE111234
12frEADGBE3x142x

Explore More

Candy in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to E (ascending unison), E to B (descending perfect fourth), B to D (ascending minor third), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to B (ascending unison), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to E (descending whole step), E to B (descending perfect fourth), B to B (ascending unison), B to F (ascending tritone), F to C# (descending major third), C# to D (ascending half step), D to D# (ascending half step), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to G# (ascending unison), G# to G# (ascending unison), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to F (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to E by half step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: EMaj7, Em7, Em, B/D, Ddim7, C♯m7, F♯7♭9, F♯11, B6, Baug7, B13, F♯m9, F♯13♭9, E7, B, B/F, Fdim, C♯/D, D/D, D♯, D♯7, A♯m7, G♯9, G♯, G♯7, G♯dim7, C♯13, F♯13, B7, F♯7, C♯m7/F, Fdim7.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E