Candy in E

Alex Kramer / Mack David /Joan Whitney(1944)ballad
Do Re MiC D E
A
B/D♯
F♯11
Baug7
B13
B/D♯
F♯13♭9
F♯11
B/F♯
C♯/D♯
D/D♯
C♯13
F♯13
Baug7
C♯m7/F♯
B/D♯
F♯13♭9
F♯11
Baug7
B/F♯

Chord Diagrams — Candy in E (Guitar)

Display
FingerNoteDegree
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
B/D♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Ddim7
EADGBExx23
4frEADGBE11x2347frEADGBEx243110frEADGBE111234
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯7♭9
EADGBE2134
3frEADGBE11xx238frEADGBE11x23412frEADGBE3241xx
F♯11
EADGBE3142
4frEADGBE1111237frEADGBE11x3249frEADGBE1111x3
B6
EADGBEx312x
EADGBE3333x17frEADGBE1x324x9frEADGBE11xx34
Baug7
EADGBEx2134
2frEADGBEx2137frEADGBE1x234x9frEADGBExx1423
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
F♯m9
EADGBE2314
EADGBE1111237frEADGBE2222x110frEADGBExx2413
F♯13♭9
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
B/F♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Fdim
EADGBExx12x3
6frEADGBEx41x238frEADGBEx1243x11frEADGBE31x42x
C♯/D♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
D/D♯
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
G♯dim7
EADGBExx12
EADGBE112x346frEADGBExx132410frEADGBE111234
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
C♯m7/F♯
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
Fdim7
EADGBE1x23
EADGBE11xx347frEADGBE11123412frEADGBE3x142x

Candy in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to E (ascending unison), E to B (descending perfect fourth), B to D (ascending minor third), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to B (ascending unison), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to E (descending whole step), E to B (descending perfect fourth), B to B (ascending unison), B to F (ascending tritone), F to C# (descending major third), C# to D (ascending half step), D to D# (ascending half step), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to G# (ascending unison), G# to G# (ascending unison), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to F (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to E by half step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: EMaj7, Em7, Em, B/D♯, Ddim7, C♯m7, F♯7♭9, F♯11, B6, Baug7, B13, F♯m9, F♯13♭9, E7, B, B/F♯, Fdim, C♯/D♯, D/D♯, D♯, D♯7, A♯m7, G♯9, G♯, G♯7, G♯dim7, C♯13, F♯13, B7, F♯7, C♯m7/F♯, Fdim7.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E