Do Re MiC D E

Candy

Alex Kramer / Mack David /Joan Whitney(1944)2/2ballad

Chord Diagrams — Candy in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯Maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
F/D
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
G♯dim7
EADGBExx12
EADGBE112x34
6frEADGBExx1324
10frEADGBE111234
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
C11
EADGBE11x324
3frEADGBE1111x3
6frEADGBE1132
8frEADGBE111112
F6
EADGBE11x324
3frEADGBE111x34
6frEADGBEx4231x
8frEADGBE113333
Faug7
EADGBE1234x
3frEADGBExx1423
8frEADGBE11x432
12frEADGBE213x4x
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
Cm9
EADGBEx21344
EADGBEx1243
6frEADGBEx13244
8frEADGBE111134
C13♭9
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
8frEADGBE111324
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
F
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
F/F
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
Bdim
EADGBEx3x2
EADGBEx1243x
5frEADGBE31x42x
9frEADGBExx12x3
G/D
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
G♯/D
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
A
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
A7
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
D9
4frEADGBE221334
7frEADGBEx1234
9frEADGBE11234x
10frEADGBE111324
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
Ddim7
4frEADGBE11x234
EADGBExx23
7frEADGBEx2431
10frEADGBE111234
G13
3frEADGBE11x234
EADGBE321
3frEADGBE111324
9frEADGBEx21334
C13
3frEADGBE111134
2frEADGBE44x213
6frEADGBE222341
8frEADGBE111324
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
Gm7/F
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Bdim7
EADGBExx1324
EADGBE11x234
6frEADGBE3x142x
7frEADGBE111234

Explore More

Candy in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to A# (ascending unison), A# to F (descending perfect fourth), F to G# (ascending minor third), G# to G (descending half step), G to C (ascending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to F (ascending unison), F to F (ascending unison), F to C (descending perfect fourth), C to C (ascending unison), C to A# (descending whole step), A# to F (descending perfect fourth), F to F (ascending unison), F to B (ascending tritone), B to G (descending major third), G to G# (ascending half step), G# to A (ascending half step), A to A (ascending unison), A to E (descending perfect fourth), E to D (descending whole step), D to D (ascending unison), D to D (ascending unison), D to D (ascending unison), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to G (descending perfect fourth), G to B (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to A# by half step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: A♯Maj7, A♯m7, A♯m, F/D, G♯dim7, Gm7, C7♭9, C11, F6, Faug7, F13, Cm9, C13♭9, A♯7, F, F/F, Bdim, G/D, G♯/D, A, A7, Em7, D9, D, D7, Ddim7, G13, C13, F7, C7, Gm7/F, Bdim7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#