Do Re MiC D E

Big Push, The

Shorter Wayne4/4medium-swing
F♯13♯11
G♯13♯11
F♯13♯11
G♯13♯11
F♯13♯11
G♯13♯11
F♯13♯11
F13♯11
A♯13
A♯13
A♯13
D♯m11
F13♯11
A♯maj9
G♯maj9
F♯13♯11
G♯13♯11
F♯13♯11
G♯13♯11
F♯13♯11
G♯13♯11
F♯13♯11
F13♯11
A♯13
A♯13
A♯13
D♯m11
F13♯11
A♯maj9
G♯maj9
F♯13♯11
G♯13♯11
F♯13♯11
G♯13♯11
F♯13♯11
G♯13♯11
F♯13♯11
F13♯11
A♯13
A♯13
A♯13
D♯m11
F13♯11

Chord Diagrams — Big Push, The in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯13♯11
F♯ - A♯ - C♯ - E - G♯ - C - D♯
G♯13♯11
G♯ - C - D♯ - F♯ - A♯ - D - F
F13♯11
F - A - C - E♭ - G - B - D
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯13
4frEADGBE1132
EADGBE44x12
6frEADGBE111234
12frEADGBE44x213
D♯m11
4frEADGBE11x234
EADGBE11xx34
9frEADGBE111342
11frEADGBE111114
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
A♯maj9
3frEADGBE111143
EADGBE1113x
5frEADGBE11243x
6frEADGBE112234
Amaj7
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
G♯maj9
EADGBE1111x4
3frEADGBE111243
4frEADGBE113224
10frEADGBE22143x
F♯maj7
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
D♯maj7
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
Emaj7
EADGBE312
EADGBE333xx1
4frEADGBE111x43
7frEADGBE111324
C♯maj7
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x

Explore More

Big Push, The in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to G# (ascending whole step), G# to F (descending minor third), F to F (ascending unison), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to B (descending major third), B to A# (descending half step), A# to A (descending half step), A to G# (descending half step), G# to F# (descending whole step), F# to D# (descending minor third), D# to E (ascending half step), E to C# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

medium-swing4/4 · 64 bars · Form: A

Chords: F♯13♯11, G♯13♯11, F13♯11, Fm7, A♯13, D♯m11, Bmaj7, A♯maj9, Amaj7, G♯maj9, F♯maj7, D♯maj7, Emaj7, C♯maj7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#