Do Re MiC D E

Big Push, The

Shorter Wayne4/4medium-swing
E13♯11
F♯13♯11
E13♯11
F♯13♯11
E13♯11
F♯13♯11
E13♯11
D♯13♯11
G♯13
G♯13
G♯13
C♯m11
D♯13♯11
G♯maj9
F♯maj9
E13♯11
F♯13♯11
E13♯11
F♯13♯11
E13♯11
F♯13♯11
E13♯11
D♯13♯11
G♯13
G♯13
G♯13
C♯m11
D♯13♯11
G♯maj9
F♯maj9
E13♯11
F♯13♯11
E13♯11
F♯13♯11
E13♯11
F♯13♯11
E13♯11
D♯13♯11
G♯13
G♯13
G♯13
C♯m11
D♯13♯11

Chord Diagrams — Big Push, The in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E13♯11
E - G♯ - B - D - F♯ - A♯ - C♯
F♯13♯11
F♯ - A♯ - C♯ - E - G♯ - C - D♯
D♯13♯11
D♯ - G - A♯ - C♯ - F - A - C
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
C♯m11
EADGBE111x23
7frEADGBE111342
9frEADGBE111114
11frEADGBE11xx23
Amaj7
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
G♯maj9
EADGBE1111x4
3frEADGBE111243
4frEADGBE113224
10frEADGBE22143x
Gmaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
F♯maj9
EADGBE11x234
EADGBE111243
3frEADGBExx2143
8frEADGBE22143x
Emaj7
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x

Explore More

Big Push, The in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through E to F# (ascending whole step), F# to D# (descending minor third), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to A (descending major third), A to G# (descending half step), G# to G (descending half step), G to F# (descending half step), F# to E (descending whole step), E to C# (descending minor third), C# to D (ascending half step), D to B (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

medium-swing4/4 · 64 bars · Form: A

Chords: E13♯11, F♯13♯11, D♯13♯11, D♯m7, G♯13, C♯m11, Amaj7, G♯maj9, Gmaj7, F♯maj9, Emaj7, C♯maj7, Dmaj7, Bmaj7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B