Do Re MiC D E

Big Push, The

Shorter Wayne4/4medium-swing
D♯13♯11
F13♯11
D♯13♯11
F13♯11
D♯13♯11
F13♯11
D♯13♯11
D13♯11
G13
G13
G13
Cm11
D13♯11
Gmaj9
Fmaj9
D♯13♯11
F13♯11
D♯13♯11
F13♯11
D♯13♯11
F13♯11
D♯13♯11
D13♯11
G13
G13
G13
Cm11
D13♯11
Gmaj9
Fmaj9
D♯13♯11
F13♯11
D♯13♯11
F13♯11
D♯13♯11
F13♯11
D♯13♯11
D13♯11
G13
G13
G13
Cm11
D13♯11

Chord Diagrams — Big Push, The in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯13♯11
D♯ - G - A♯ - C♯ - F - A - C
F13♯11
F - A - C - E♭ - G - B - D
D13♯11
D - F♯ - A - C - E - G♯ - B
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
G13
3frEADGBE11x234
EADGBE321
3frEADGBE111324
9frEADGBEx21334
Cm11
EADGBE1111x2
EADGBE11x234
6frEADGBE111342
8frEADGBE111114
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Gmaj9
3frEADGBExx2314
EADGBE21
EADGBE111243
9frEADGBEx2143x
F♯maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
Fmaj9
7frEADGBEx2143x
EADGBE132
EADGBExx2314
10frEADGBE11xx34
D♯maj7
8frEADGBE111xx4
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
A♯maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x

Explore More

Big Push, The in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to F (ascending whole step), F to D (descending minor third), D to D (ascending unison), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to G# (descending major third), G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to D# (descending whole step), D# to C (descending minor third), C to C# (ascending half step), C# to A# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to D# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

medium-swing4/4 · 64 bars · Form: A

Chords: D♯13♯11, F13♯11, D13♯11, Dm7, G13, Cm11, G♯maj7, Gmaj9, F♯maj7, Fmaj9, D♯maj7, Cmaj7, C♯maj7, A♯maj7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#