Do Re MiC D E

Bat, The

Metheny Pat4/4ballad
C♯/F♯
G♯7sus4
C/C♭
A13♭9
C♭maj7
C/C♭
F/B♭
C♯13
C13
B13♭9
A7♯5
G/C
Gm/C♭
D/B♭
C♯/F♯
G♯7sus4
C/C♭
A13♭9
C♭maj7
C/C♭
F/B♭
C♯13
C13
B13♭9
A7♯5
G/C
Gm/C♭
D/B♭
G/B♭
D/B♭
G/B♭
D/B♭
G/B♭

Chord Diagrams — Bat, The in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
C♯/F♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯m
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
C/C♭
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
A13♭9
3frEADGBE4231
EADGBEx123
5frEADGBE111324
11frEADGBE44x213
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
Bmaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
F/B♭
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
C♯13
EADGBEx4231
4frEADGBE111134
7frEADGBE222341
9frEADGBE111234
C13
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
8frEADGBE111324
B13♭9
EADGBE111134
EADGBE44x213
4frEADGBE111432
7frEADGBE111234
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Em7♭5
EADGBE33312
7frEADGBEx1324x
8frEADGBE11xx24
11frEADGBE2x341x
A7♯5
EADGBE11x23
EADGBEx321
5frEADGBE11x23
7frEADGBExx1423
Dmaj7
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
A/D
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
G/C
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
Gm/C♭
EADGBE2134
3frEADGBE111134
5frEADGBExx1342
10frEADGBE111342
D/B♭
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
G/B♭
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
G♯m7♭5
EADGBE2x341x
EADGBExx13
6frEADGBE222xx1
11frEADGBEx1324x
D
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342

Explore More

Bat, The in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to C# (descending perfect fourth), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to G# (ascending unison), G# to C (ascending major third), C to A (descending minor third), A to D (ascending perfect fourth), D to C (descending whole step), C to F (ascending perfect fourth), F to B (ascending tritone), B to Cb (ascending half step), Cb to F (ascending perfect fourth), F to C# (descending major third), C# to C (descending half step), C to B (descending half step), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to G (descending whole step), G to G (ascending unison), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to G# (ascending half step), G# to D (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to F# by major third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 34 bars · Form: BC

Chords: F♯, C♯/F♯, D♯m, G♯7, C♯, G♯m7, C♯7, G♯7sus4, G♯m, C/C♭, A13♭9, Dm7, Cm7, F7, Bm7♭5, C♭maj7, F/B♭, C♯13, C13, B13♭9, Em7, Em7♭5, A7♯5, Dmaj7, A/D, G/C, Gm/C♭, D/B♭, G/B♭, G♯m7♭5, D.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#