Do Re MiC D E

Bat, The

Metheny Pat4/4ballad
E/F♯
E/F♯
B7sus4
D♯/C♭
C13♭9
C♭maj7
D♯/C♭
G♯/B♭
E13
D♯13
D13♭9
C7♯5
A♯/C
A♯m/C♭
F/B♭
A♯/B♭
E/F♯
E/F♯
B7sus4
D♯/C♭
C13♭9
C♭maj7
D♯/C♭
G♯/B♭
E13
D♯13
D13♭9
C7♯5
A♯/C
A♯m/C♭
F/B♭
A♯/B♭
A♯/B♭
F/B♭
A♯/B♭
F/B♭
A♯/B♭

Chord Diagrams — Bat, The in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
E/F♯
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
B7sus4
7frEADGBE111134
EADGBEx123
2frEADGBE111134
4frEADGBE1122xx
Bm
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
D♯/C♭
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
C13♭9
6frEADGBE222341
2frEADGBE44x213
3frEADGBE111134
8frEADGBE111324
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
D♯m7
7frEADGBExx2314
EADGBExx1423
6frEADGBE111132
11frEADGBE111114
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
Dm7♭5
5frEADGBEx1324x
EADGBE111xx
3frEADGBE11x342
8frEADGBEx1432
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
G♯/B♭
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
D13♭9
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
Gm7♭5
5frEADGBE222xx1
EADGBE3xx421
EADGBE2x341x
10frEADGBEx1324x
C7♯5
3frEADGBE11x432
EADGBEx213x4
8frEADGBE1x234
10frEADGBExx1423
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
C/D
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
A♯/C
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
A♯m/C♭
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
F/B♭
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
A♯/B♭
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
F
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234

Explore More

Bat, The in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to B (ascending unison), B to D# (ascending major third), D# to C (descending minor third), C to F (ascending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to Cb (descending whole step), Cb to G# (descending major third), G# to E (descending major third), E to D# (descending half step), D# to D (descending half step), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to A# (descending whole step), A# to A# (ascending unison), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to B (ascending half step), B to F (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 34 bars · Form: BC

Chords: A, E/F♯, F♯m, B7, E, Bm7, E7, B7sus4, Bm, D♯/C♭, C13♭9, Fm7, D♯m7, G♯7, Dm7♭5, C♭maj7, G♯/B♭, E13, D♯13, D13♭9, Gm7, Gm7♭5, C7♯5, Fmaj7, C/D, A♯/C, A♯m/C♭, F/B♭, A♯/B♭, Bm7♭5, F.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A