Do Re MiC D E

Bat, The

Metheny Pat4/4ballad
F/F♯
F/F♯
C7sus4
E/C♭
C♯13♭9
C♭maj7
E/C♭
A/B♭
F13
E13
D♯13♭9
C♯7♯5
C♯/D
B/C
Bm/C♭
F♯/B♭
B/B♭
F/F♯
F/F♯
C7sus4
E/C♭
C♯13♭9
C♭maj7
E/C♭
A/B♭
F13
E13
D♯13♭9
C♯7♯5
C♯/D
B/C
Bm/C♭
F♯/B♭
B/B♭
B/B♭
F♯/B♭
B/B♭
F♯/B♭
B/B♭

Chord Diagrams — Bat, The in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
F/F♯
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
Gm
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
C7sus4
3frEADGBE111134
EADGBE11x234
5frEADGBE11xx23
8frEADGBE111134
Cm
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
E/C♭
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
C♯13♭9
EADGBEx4231
4frEADGBE111134
7frEADGBE222341
9frEADGBE111234
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
A7
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x
7frEADGBE11xx24
10frEADGBE2x341x
Bmaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
A/B♭
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
D♯13♭9
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
G♯m7♭5
6frEADGBE222xx1
EADGBExx13
EADGBE2x341x
11frEADGBEx1324x
C♯7♯5
7frEADGBE431x2
EADGBEx4321
4frEADGBE11x432
9frEADGBE1x234x
F♯maj7
6frEADGBE111x43
EADGBE111423
4frEADGBE11x333
9frEADGBE111324
C♯/D
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
B/C
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
Bm/C♭
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
F♯/B♭
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
B/B♭
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
Cm7♭5
8frEADGBE111234
EADGBEx1324x
4frEADGBE11xx24
10frEADGBE333xx1
F♯
9frEADGBE111234
EADGBE111342
4frEADGBE11x243
6frEADGBE111432

Explore More

Bat, The in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to G (ascending whole step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to C (ascending unison), C to E (ascending major third), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to E (descending whole step), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to Cb (descending minor third), Cb to A (descending minor third), A to F (descending major third), F to E (descending half step), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to B (descending whole step), B to B (ascending unison), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to C (ascending half step), C to F# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to A# by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 34 bars · Form: BC

Chords: A♯, F/F♯, Gm, C7, F, Cm7, F7, C7sus4, Cm, E/C♭, C♯13♭9, F♯m7, Em7, A7, D♯m7♭5, C♭maj7, A/B♭, F13, E13, D♯13♭9, G♯m7, G♯m7♭5, C♯7♯5, F♯maj7, C♯/D, B/C, Bm/C♭, F♯/B♭, B/B♭, Cm7♭5, F♯.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#