Do Re MiC D E

Autumn in NY

Vermon Duke4/4ballad

Chord Diagrams — Autumn in NY in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
A6
4frEADGBE2x143x
EADGBE1111x
5frEADGBE113x24
10frEADGBEx4231x
EMaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
C♯7♭9
4frEADGBEx1234
EADGBE11x234
7frEADGBE3241x
9frEADGBExx1324
G♯m7♭5
EADGBE2x341x
EADGBExx13
6frEADGBE222xx1
11frEADGBEx1324x
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
D7
3frEADGBEx3241x
EADGBExx213
5frEADGBE111134
10frEADGBE111132
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
GMaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
F♯7♭9
3frEADGBE11xx23
EADGBE2134
8frEADGBE11x234
12frEADGBE3241xx
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
BMaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
Baug7
2frEADGBEx213
EADGBEx2134
7frEADGBE1x234x
9frEADGBExx1423
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
Dm6/G
EADGBExx21
3frEADGBE11x324
5frEADGBEx13x24
9frEADGBE2x1333
Am
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
Am6
EADGBEx2314
4frEADGBE2x1334
5frEADGBE111234
7frEADGBE111x32
G9
EADGBE31
EADGBE11234x
3frEADGBE111324
9frEADGBE221334
DMaj7
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
D♯Maj7
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
CMaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
C♯7♭5
EADGBEx431
4frEADGBE11x23x
8frEADGBE2x341x
12frEADGBExx1234
B7♭9
EADGBE11x234
5frEADGBE3241xx
7frEADGBE111x23
8frEADGBE11xx23
AMaj7
EADGBEx213
EADGBE111x4
5frEADGBE111423
7frEADGBE333x1
Em
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx

Explore More

Autumn in NY in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G# to F# (descending whole step), F# to B (ascending perfect fourth), B to A (descending whole step), A to E (descending perfect fourth), E to C# (descending minor third), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to A (descending perfect fourth), A to G (descending whole step), G to F# (descending half step), F# to C# (descending perfect fourth), C# to B (descending whole step), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to B (descending whole step), B to B (ascending unison), B to G (descending major third), G to C (ascending perfect fourth), C to E (ascending major third), E to D (descending whole step), D to A (descending perfect fourth), A to A (ascending unison), A to G (descending whole step), G to D (descending perfect fourth), D to D# (ascending half step), D# to C (descending minor third), C to C# (ascending half step), C# to B (descending whole step), B to A (descending whole step), A to E (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to G# by major third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: A

Chords: G♯m7, F♯m7, B7, A6, EMaj7, C♯7♭9, G♯m7♭5, C♯7, D7, Am7, GMaj7, F♯7, C♯m7♭5, Bm7, F♯7♭9, C♯m7, BMaj7, Baug7, G7, C7, E7, Dm6/G, Am, Am6, G9, DMaj7, D♯Maj7, CMaj7, C♯7♭5, B7♭9, AMaj7, Em.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E