Do Re MiC D E

Autumn in NY

Vermon Duke4/4ballad

Chord Diagrams — Autumn in NY in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
F♯6
EADGBE2x143x
EADGBE11x324
4frEADGBE111x34
9frEADGBE3333x1
C♯Maj7
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
A♯7♭9
EADGBEx123
4frEADGBE3241xx
6frEADGBE111x23
12frEADGBE11x234
Fm7♭5
EADGBE1x23x
EADGBE222xx1
8frEADGBEx1324x
11frEADGBE2134x
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
B7
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
7frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
EMaj7
EADGBE312
EADGBE333xx1
4frEADGBE111x43
7frEADGBE111324
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
A♯m7♭5
EADGBE11xx24
EADGBEx1324x
5frEADGBE2x341x
8frEADGBE222xx1
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
D♯7♭9
5frEADGBE11x234
EADGBExx24
6frEADGBE11x34
9frEADGBE3241xx
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
G♯Maj7
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
G♯aug7
6frEADGBExx1423
4frEADGBE1x234
9frEADGBEx3241
11frEADGBE11x432
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
Bm6/G
6frEADGBE2x134x
EADGBE2314
EADGBExx2314
7frEADGBE111234
F♯m
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
F♯m6
4frEADGBE111x32
EADGBE2x1334
7frEADGBE11x324
8frEADGBEx2413x
E9
EADGBE113x42
EADGBE213
6frEADGBE221334
9frEADGBE11112
BMaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
CMaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
AMaj7
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
A♯7♭5
EADGBE11x23x
5frEADGBE2x341
8frEADGBExx1234
11frEADGBEx3241
G♯7♭9
EADGBE111x2
4frEADGBE11xx23
5frEADGBE11xx23
10frEADGBE11x234
F♯Maj7
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
C♯m
EADGBEx4213x
4frEADGBE111342
6frEADGBE1132x4
9frEADGBE111134

Explore More

Autumn in NY in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to A# (descending minor third), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to B (ascending half step), B to F# (descending perfect fourth), F# to E (descending whole step), E to D# (descending half step), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to G# (ascending unison), G# to E (descending major third), E to A (ascending perfect fourth), A to C# (ascending major third), C# to B (descending whole step), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to E (descending whole step), E to B (descending perfect fourth), B to C (ascending half step), C to A (descending minor third), A to A# (ascending half step), A# to G# (descending whole step), G# to F# (descending whole step), F# to C# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to F by major third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: A

Chords: Fm7, D♯m7, G♯7, F♯6, C♯Maj7, A♯7♭9, Fm7♭5, A♯7, B7, F♯m7, EMaj7, D♯7, A♯m7♭5, G♯m7, D♯7♭9, A♯m7, G♯Maj7, G♯aug7, E7, A7, C♯7, Bm6/G, F♯m, F♯m6, E9, BMaj7, CMaj7, AMaj7, A♯7♭5, G♯7♭9, F♯Maj7, C♯m.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#