Do Re MiC D E

Autumn in NY

Vermon Duke4/4ballad

Chord Diagrams — Autumn in NY in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
F6
EADGBE11x324
3frEADGBE111x34
6frEADGBEx4231x
8frEADGBE113333
CMaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
A7♭9
EADGBE11x23
5frEADGBE111423
6frEADGBE11xx23
11frEADGBE11x234
Em7♭5
EADGBE33312
7frEADGBEx1324x
8frEADGBE11xx24
11frEADGBE2x341x
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
D♯Maj7
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
Am7♭5
EADGBEx23x
4frEADGBE2x341x
5frEADGBE111234
7frEADGBE222xx1
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
D7♭9
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
8frEADGBE3241xx
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
GMaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
Gaug7
EADGBE4312
EADGBE1x234x
5frEADGBExx1423
10frEADGBE11x432
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
C7
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132
A♯m6/G
EADGBEx13x24
3frEADGBEx2314x
5frEADGBE2x1334
6frEADGBE111234
Fm
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
Fm6
EADGBE1x234
3frEADGBE11xx32
6frEADGBE11x324
9frEADGBExx2314
D♯9
EADGBExx132
5frEADGBEx21334
10frEADGBE3142xx
11frEADGBE111324
A♯Maj7
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
BMaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
G♯Maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
A7♭5
4frEADGBEx2413
EADGBEx1234
7frEADGBExx1234
10frEADGBE11x243
G7♭9
4frEADGBE11xx23
EADGBE11324
EADGBE111x23
9frEADGBE11x234
FMaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Cm
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134

Explore More

Autumn in NY in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to G (ascending perfect fourth), G to F (descending whole step), F to C (descending perfect fourth), C to A (descending minor third), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to A# (ascending half step), A# to F (descending perfect fourth), F to D# (descending whole step), D# to D (descending half step), D to A (descending perfect fourth), A to G (descending whole step), G to D (descending perfect fourth), D to A (descending perfect fourth), A to G (descending whole step), G to G (ascending unison), G to D# (descending major third), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to A# (descending whole step), A# to F (descending perfect fourth), F to F (ascending unison), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to B (ascending half step), B to G# (descending minor third), G# to A (ascending half step), A to G (descending whole step), G to F (descending whole step), F to C (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to E by major third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: A

Chords: Em7, Dm7, G7, F6, CMaj7, A7♭9, Em7♭5, A7, A♯7, Fm7, D♯Maj7, D7, Am7♭5, Gm7, D7♭9, Am7, GMaj7, Gaug7, D♯7, G♯7, C7, A♯m6/G, Fm, Fm6, D♯9, A♯Maj7, BMaj7, G♯Maj7, A7♭5, G7♭9, FMaj7, Cm.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C