Do Re MiC D E

ANGELICA PURPLE GAZELLE

Duke Elington(1965)4/4swing

Chord Diagrams — ANGELICA PURPLE GAZELLE in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
A♯m
8frEADGBExx1342
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
A♯/F
8frEADGBE11x243
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
A/F
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
G♯/F
8frEADGBE111432
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
B/F
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
B/F
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
C♯m6
5frEADGBExx2314
EADGBE11x324
8frEADGBE2x134x
9frEADGBE111234
G♯m6
4frEADGBE111234
EADGBE2x134x
6frEADGBE111x32
9frEADGBE11x324
G♯7♭9♯11
G♯ - C - D♯ - F♯ - A - D

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ANGELICA PURPLE GAZELLE in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to D# (descending perfect fourth), D# to F (ascending whole step), F to F# (ascending half step), F# to A# (ascending major third), A# to A# (ascending unison), A# to A (descending half step), A to G# (descending half step), G# to Cb (ascending major third), Cb to B (descending half step), B to D (ascending minor third), D to C# (descending half step), C# to G# (descending perfect fourth), G# to G# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 42 bars · Form: AB

Chords: G♯, D♯7, F7, F♯7, A♯m, A♯/F, A/F, G♯/F, C♭/F, B/F, D, C♯m6, G♯m6, G♯7♭9♯11.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#