ANGELICA PURPLE GAZELLE in G#

Duke Elington(1965)swing
Do Re MiC D E
A
B
G♯/D♯
A/D♯
A♯/D♯
B/D♯
A♯/D♯
C♭/F
G♯7♭9♯11
G♯/D♯
A/D♯
A♯/D♯
B/D♯
A♯/D♯
C♭/F

Chord Diagrams — ANGELICA PURPLE GAZELLE in G# (Guitar)

Display
FingerNoteDegree
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
G♯/D♯
6frEADGBE11x243
EADGBE11132x4frEADGBE1113428frEADGBE111432
A/D♯
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
A♯/D♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
B/D♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
B/F
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
C♯m6
EADGBE11x324
5frEADGBExx23148frEADGBE2x134x9frEADGBE111234
G♯m6
EADGBE2x134x
4frEADGBE1112346frEADGBE111x329frEADGBE11x324
G♯7♭9♯11
G♯ - C - D♯ - F♯ - A - D

ANGELICA PURPLE GAZELLE in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to D# (descending perfect fourth), D# to F# (ascending minor third), F# to F (descending half step), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to A (ascending half step), A to A# (ascending half step), A# to B (ascending half step), B to Cb (ascending half step), Cb to D (ascending whole step), D to C# (descending half step), C# to G# (descending perfect fourth), G# to G# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 42 bars · Form: AB

Chords: G♯, D♯7, F♯7, F7, A♯m, G♯/D♯, A/D♯, A♯/D♯, B/D♯, C♭/F, D, C♯m6, G♯m6, G♯7♭9♯11.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#