ANGELICA PURPLE GAZELLE in B

Duke Elington(1965)swing
Do Re MiC D E
A
B
C♯/F♯
C/F♯
B/F♯
C♭/F
C♯/F♯
D/F♯
B7♭9♯11
C♯/F♯
C/F♯
B/F♯
C♭/F
C♯/F♯
D/F♯

Chord Diagrams — ANGELICA PURPLE GAZELLE in B (Guitar)

Display
FingerNoteDegree
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
C♯/F♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
C/F♯
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
B/F♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
B/F
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
D/F♯
2frEADGBE111432
EADGBExx1325frEADGBE11123410frEADGBE111342
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
Em6
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
Bm6
EADGBE2314
EADGBExx23146frEADGBE2x134x7frEADGBE111234
B7♭9♯11
B - D♯ - F♯ - A - C - F

ANGELICA PURPLE GAZELLE in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to G# (ascending whole step), G# to A (ascending half step), A to C# (ascending major third), C# to C# (ascending unison), C# to C (descending half step), C to B (descending half step), B to Cb (ascending half step), Cb to D (ascending whole step), D to F (ascending minor third), F to E (descending half step), E to B (descending perfect fourth), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 42 bars · Form: AB

Chords: B, F♯7, G♯7, A7, C♯m, C♯/F♯, C/F♯, B/F♯, C♭/F, D/F♯, F, Em6, Bm6, B7♭9♯11.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B