Do Re MiC D E

ANGELICA PURPLE GAZELLE

Duke Elington(1965)4/4swing
C♯/F
C/F
B/F
C♭/F
C♯/F
D/F
%
B7♭9♯11
C♯/F
C/F
B/F
C♭/F
C♯/F
D/F

Chord Diagrams — ANGELICA PURPLE GAZELLE in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
C♯/F
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
C/F
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
B/F
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
B/F
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
D/F
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
F
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
Em6
5frEADGBE11x324
EADGBE123
EADGBE11132
8frEADGBExx2314
Bm6
6frEADGBE2x134x
EADGBE2314
EADGBExx2314
7frEADGBE111234
B7♭9♯11
B - D♯ - F♯ - A - C - F

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ANGELICA PURPLE GAZELLE in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to G# (ascending whole step), G# to A (ascending half step), A to C# (ascending major third), C# to C# (ascending unison), C# to C (descending half step), C to B (descending half step), B to Cb (ascending half step), Cb to D (ascending whole step), D to F (ascending minor third), F to E (descending half step), E to B (descending perfect fourth), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 42 bars · Form: AB

Chords: B, F♯7, G♯7, A7, C♯m, C♯/F, C/F, B/F, C♭/F, D/F, F, Em6, Bm6, B7♭9♯11.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B