ANGELICA PURPLE GAZELLE in F#

Duke Elington(1965)swing
Do Re MiC D E
A
B
F♯/C♯
G/C♯
G♯/C♯
A/C♯
G♯/C♯
C♭/F
F♯7♭9♯11
F♯/C♯
G/C♯
G♯/C♯
A/C♯
G♯/C♯
C♭/F

Chord Diagrams — ANGELICA PURPLE GAZELLE in F# (Guitar)

Display
FingerNoteDegree
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
F♯/C♯
4frEADGBE11x243
EADGBE1113426frEADGBE1114329frEADGBE111234
G/C♯
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
G♯/C♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
A/C♯
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
B/F
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
Bm6
EADGBE2314
EADGBExx23146frEADGBE2x134x7frEADGBE111234
F♯m6
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
F♯7♭9♯11
F♯ - A♯ - C♯ - E - G - C

ANGELICA PURPLE GAZELLE in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to C# (descending perfect fourth), C# to E (ascending minor third), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to G (ascending half step), G to G# (ascending half step), G# to A (ascending half step), A to Cb (ascending minor third), Cb to C (ascending unison), C to B (descending half step), B to F# (descending perfect fourth), F# to F# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to F# by unison.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 42 bars · Form: AB

Chords: F♯, C♯7, E7, D♯7, G♯m, F♯/C♯, G/C♯, G♯/C♯, A/C♯, C♭/F, C, Bm6, F♯m6, F♯7♭9♯11.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#