Do Re MiC D E

ANGELICA PURPLE GAZELLE

Duke Elington(1965)4/4swing
G♯/F
G/F
F♯/F
C♭/F
G♯/F
A/F
%
F♯7♭9♯11
G♯/F
G/F
F♯/F
C♭/F
G♯/F
A/F

Chord Diagrams — ANGELICA PURPLE GAZELLE in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
G♯m
6frEADGBExx1342
4frEADGBE111134
7frEADGBExx3241
11frEADGBE111342
G♯/F
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
G/F
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
F♯/F
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
B/F
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
A/F
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
C
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
Bm6
7frEADGBE111234
EADGBE2314
EADGBExx2314
6frEADGBE2x134x
F♯m6
7frEADGBE11x324
EADGBE2x1334
4frEADGBE111x32
8frEADGBEx2413x
F♯7♭9♯11
F♯ - A♯ - C♯ - E - G - C

Explore More

ANGELICA PURPLE GAZELLE in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to C# (descending perfect fourth), C# to D# (ascending whole step), D# to E (ascending half step), E to G# (ascending major third), G# to G# (ascending unison), G# to G (descending half step), G to F# (descending half step), F# to Cb (ascending tritone), Cb to A (descending minor third), A to C (ascending minor third), C to B (descending half step), B to F# (descending perfect fourth), F# to F# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to F# by unison.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 42 bars · Form: AB

Chords: F♯, C♯7, D♯7, E7, G♯m, G♯/F, G/F, F♯/F, C♭/F, A/F, C, Bm6, F♯m6, F♯7♭9♯11.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#