ANGELICA PURPLE GAZELLE in C#

Duke Elington(1965)swing
Do Re MiC D E
A
B
C♯/G♯
D/G♯
D♯/G♯
E/G♯
D♯/G♯
C♭/F
C♯7♭9♯11
C♯/G♯
D/G♯
D♯/G♯
E/G♯
D♯/G♯
C♭/F

Chord Diagrams — ANGELICA PURPLE GAZELLE in C# (Guitar)

Display
FingerNoteDegree
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
C♯/G♯
4frEADGBE111234
EADGBE11x4326frEADGBE1113249frEADGBE111342
D/G♯
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
D♯/G♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
E/G♯
4frEADGBE111432
EADGBE2312frEADGBExx12437frEADGBE111234
B/F
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
G
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
F♯m6
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
C♯m6
EADGBE11x324
5frEADGBExx23148frEADGBE2x134x9frEADGBE111234
C♯7♭9♯11
C♯ - F - G♯ - B - D - G

ANGELICA PURPLE GAZELLE in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to G# (descending perfect fourth), G# to B (ascending minor third), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to D (ascending half step), D to D# (ascending half step), D# to E (ascending half step), E to Cb (descending major third), Cb to G (descending perfect fourth), G to F# (descending half step), F# to C# (descending perfect fourth), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 42 bars · Form: AB

Chords: C♯, G♯7, B7, A♯7, D♯m, C♯/G♯, D/G♯, D♯/G♯, E/G♯, C♭/F, G, F♯m6, C♯m6, C♯7♭9♯11.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#